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Author: Editor VCD

Does posting excerpts from a work without charging a fee violate copyright?

Posting excerpts of works on websites and social media is quite common nowadays. However, many people still believe that as long as it’s not for profit, it won’t constitute copyright infringement. So, does posting free excerpts of works violate copyright? Let’s find out in the article below!

What is a work excerpt?

Currently, the law does not provide a separate definition of “work excerpt”. However, it can be understood that an excerpt from a work is the use of a portion of the content of a copyrighted work (literature, art, science, etc.) in any form such as copying, publishing, sharing, or displaying.

Common types of excerpts from works include:

  • Excerpts from books, stories, and articles
  • Excerpts from song lyrics and musical pieces
  • Excerpts from films and television programs
  • Excerpts from research papers and textbooks

Whether short or long, and whether or not a fee is charged, the use of the work is an act of copyright usage.

General principles regarding copyright when using works:

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to the work they have created or own.”

In principle, when an organization or individual uses another person’s work, they must obtain permission from the author/copyright owner and pay royalties, fees, and other material benefits (except in cases where the law provides exceptions).

Therefore, not charging fees for publishing or using a work does not equate to the freedom to use the work, nor does it exclude the risk of copyright infringement unless it falls under the legally defined exceptions.

Does posting excerpts from a work without charging a fee violate copyright?

Does posting excerpts from a work without charging a fee violate copyright?

Not all acts of publishing excerpts of a work without charging fees constitute copyright infringement. The law stipulates certain exceptions that allow the use of a work within a specific scope. Conversely, if it is outside that scope, it will be considered a violation and subject to penalties. Below are specific cases:

Cases where posting excerpts of a work without charge does not constitute a violation:

  • Reasonable quotation for informational, commentary, or research purposes: According to point a, clause 1, Article 25 of the 2022 Intellectual Property Law: “Reasonable quotation of a work for commentary or illustration in one’s own work, provided that the author’s name and source of the work are clearly stated.” Thus, posting excerpts without charge will not violate if only a reasonable portion is quoted, not replacing the original work; the purpose is commentary, analysis, illustration, or research; the author’s name and source of the work are clearly stated; and it does not affect the normal exploitation of the work. Legitimate examples: quoting a short passage from a book for content analysis; quoting a portion of an article for commentary or critique; quoting a scientific research passage for teaching or learning.
  • Using the work for non-commercial educational and teaching purposes: According to point d, clause 1, Article 25 of the Intellectual Property Law: “Using the work in teaching and learning activities not for commercial purposes.” In this case, since no fees are charged, the purpose is not commercial, and the content of the work is not altered or distorted, posting excerpts may not be considered a violation.

Cases where posting excerpts without charging fees still violates copyright:

Posting excerpts of a work “for free” is not always legally safe. Many cases are still considered copyright infringement, such as:

  • Excerpts that are too long, replacing the original work: Posting multiple chapters of a book; posting the “best” or “climax” parts of a film or story; compiling excerpts long enough that viewers don’t need to access the original work.
  • Not including the author’s name and source: By law, clearly stating the author’s name and source is a mandatory condition. Failure to meet this condition violates the author’s moral rights.
  • Posting excerpts to attract traffic and indirect advertising: Websites that don’t charge for reading but include advertisements and sell products or services are considered indirect commercial purposes and still require permission and copyright fees.

Important notes when posting excerpts of works

To minimize legal risks and avoid copyright infringement, individuals and organizations posting excerpts of works should pay special attention to the following:

  • Only quote within the necessary scope, appropriate to the purpose of use, and do not replace or affect the normal exploitation of the original work.
  • Clearly state the author’s name and source of the work, ensuring full respect for the author’s personal rights as stipulated by law.
  • Do not use excerpts for commercial purposes or to promote products or services without the author’s or copyright owner’s consent.
  • Do not edit, cut, or distort the content of the work, or misrepresent the meaning and spirit of the original work.
  • If you have any concerns about the scope of use, you should proactively seek written permission from the copyright owner to ensure legal safety.

The above is the article “Does posting excerpts from a work without charging a fee violate copyright?”. VCD hopes you will better understand the legal regulations on copyright, correctly identify cases where excerpts of a work are permitted, and recognize actions that may be considered violations.

Sincerely,

1. Is it a violation to not credit the author when posting excerpts of a work?

Yes. Not crediting the author and source of the work may be considered an infringement of the author’s personal rights, even if no fee is charged.

2. Is permission required to post excerpts of a work to attract website views?

If the posting of excerpts of a work on a website is for commercial purposes, the user of the work must still obtain permission and pay royalties as required by law.

Does rewriting the ending of a work violate copyright?

Rewriting the ending of a work is a fairly common practice in creative writing, learning, etc. However, many people wonder whether rewriting the ending violates copyright, especially when the original work is still protected. To answer accurately, this act needs to be considered in relation to the right to create derivative works, the scope of legal use, and the limitations permitted by intellectual property law.

How is copyright in a work understood?

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to a work created or owned by them.” Copyright arises automatically from the moment the work is created and expressed in a certain physical form, regardless of registration.

A literary, cinematic, or theatrical work is protected in its entirety, including:

  • Plot
  • Characters
  • Development
  • Ending
  • Creative form of expression

Therefore, the ending of a work is protected by copyright like other creative elements, and any act of exploiting, modifying, or using this ending must be carefully considered from a copyright perspective as stipulated by law.

What constitutes a legal act of rewriting the ending of a work?

Rewriting the ending of an existing work is usually classified as one of the following acts:

  • Creating a derivative work
  • Adapting or modifying the work
  • Transforming or creating based on the original work

According to Clause 8, Article 4 of the 2022 Intellectual Property Law: “A derivative work is a work created on the basis of one or more existing works.”

Examples:

  • Rewriting a different ending for a famous novel
  • Changing the fate of a character

Thus, all these cases show signs of being derivative works.

Does rewriting the ending of a work violate copyright?

Does rewriting the ending of a work violate copyright?

Rewriting the ending may be legal in some cases, but it also carries the risk of copyright infringement if it does not meet the conditions under Intellectual Property Law. The content below will clarify the cases considered infringing and not considered infringing to help you avoid legal risks.

Rewriting the ending of a work constitutes copyright infringement

Rewriting the ending risks copyright infringement if it falls into one of the following cases:

  • Without the author’s/copyright owner’s permission: According to Article 20 of the 2022 Intellectual Property Law, copyright owners have the right to “create derivative works.” Therefore, rewriting the ending, if considered a derivative work, requires the permission of the copyright owner, except in exceptional cases as stipulated by law.
  • The content remains closely based on the original plot, characters, and world. If the characters remain unchanged; the setting and plot are the same; only the ending is altered… it will be considered an infringement of the right to create a derivative work.
  • Publicly published or commercially exploited: If you use it to post on websites, social media; publish books, stories, films; or monetize the rewritten content. In this case, the copyright owner has the right to request removal, compensation for damages, or administrative penalties.

Rewriting the ending of a work is not considered a copyright infringement

Not all acts of rewriting the ending violate the law. Some cases may be acceptable:

  • The work’s copyright protection period has expired: According to Article 27 of the Intellectual Property Law, the copyright protection period for literary works is for the author’s lifetime and 50 years after the author’s death. If the work is already in the public domain, you have the right to freely exploit it, including rewriting the ending.
  • Writing for personal research, study, or analysis: According to Article 25 of the 2022 Intellectual Property Law, some acts of using a work do not require permission or payment, including: “Reasonably quoting a work without distorting the author’s meaning for commentary or illustration in one’s own work.” However, it must not be published as a standalone work and must not affect the normal exploitation of the original work.
  • New creative content, independent of the original work: If you only take general inspiration, without using specific characters, plot, or details, this can be considered a standalone work and does not infringe on copyright.

The above is the information that VCD wants to share with you: Does rewriting the ending of a work infringe on copyright?”. To avoid legal risks, individuals and organizations should understand the regulations regarding derivative works, respect copyright, and obtain permission when exploiting works in cases where required by law.

Sincerely,

Câu hỏi thường gặp

1. Is rewriting the ending for personal study or research a violation of copyright?

If it is solely for educational or research purposes, not for commercial purposes and not for public publication, this act is generally not considered a copyright infringement under the fair use limits.

2. Does publicly posting a rewritten ending on social media carry legal risks?

Yes. Publicly publishing a rewritten ending without the consent of the original author or copyright owner may be considered a copyright infringement, especially if the content still relies heavily on the original work.

Which court has jurisdiction to resolve copyright disputes?

When copyright is infringed, filing a lawsuit is an important legal solution to protect the legitimate rights and interests of the author and owner of the work. However, for the case to be properly accepted and resolved, a prerequisite is to correctly identify which court has jurisdiction to resolve the copyright dispute. This article from VCD will help you answer this question in detail!

What is a copyright dispute?

Current law does not have a direct definition of “copyright dispute.” However, based on Clause 1, Article 4 of the 2022 Intellectual Property Law: “Intellectual property rights are the rights of organizations and individuals to intellectual property, including copyright and related rights, industrial property rights, and rights to plant varieties.”

From this, it can be understood that copyright disputes are disputes arising between parties related to:

  • The author’s moral rights;
  • Property rights over the work;
  • The right to use, exploit, transfer, and inherit copyright;
  • Acts of copyright infringement.

Examples: Disputes over unauthorized copying of a work, unauthorized use of a work, disputes over copyright transfer contracts, disputes over who is the true author of a work…

Which court has jurisdiction to resolve copyright disputes?

Forms of copyright dispute resolution

According to the Intellectual Property Law and procedural law, copyright disputes can be resolved by the following methods:

  • Negotiation;
  • Mediation;
  • Administrative handling;
  • Arbitration (if agreed upon);
  • Lawsuit in court.

In this context, the Court is the most comprehensive and thorough authority to resolve disputes, especially complex disputes involving large claims for damages or the determination of copyright ownership.

Which court has jurisdiction to resolve copyright disputes?

The determination of which court has jurisdiction to resolve copyright disputes is primarily based on:

  • The 2015 Civil Procedure Code;
  • The 2022 Intellectual Property Law;
  • Implementing regulations.

According to Article 26 of the 2015 Civil Procedure Code: “Disputes concerning intellectual property rights and technology transfer between individuals and organizations, all with the purpose of profit” fall under the jurisdiction of the Court.

Thus, copyright disputes are a type of civil dispute falling under the jurisdiction of the People’s Court.

Jurisdiction of provincial people’s courts in copyright disputes

According to Clause 1, Article 37 of the 2015 Civil Procedure Code, provincial People’s Courts have first-instance jurisdiction over: “Civil disputes with foreign elements; disputes falling under the jurisdiction of district courts but of a complex nature or at the request of the parties.”

Regarding copyright disputes, provincial People’s Courts usually have jurisdiction in the following cases:

  • Involves foreign elements (authors or owners are foreigners; works are exploited abroad, etc.);
  • Complex disputes with high value;
  • Requests for the application of interim injunctive measures;
  • According to specific provisions of intellectual property law.

Jurisdiction of district people’s courts in copyright disputes

According to Clause 1, Article 35 of the 2015 Civil Procedure Code, District People’s Courts have jurisdiction to resolve civil disputes in first instance proceedings, except for disputes falling under the jurisdiction of Provincial People’s Courts.

In practice, district people’s courts can resolve copyright disputes that:

  • Are simple in nature;
  • Both parties are domestic individuals or organizations;
  • Do not involve foreign elements;
  • Do not fall under cases that the law stipulates must be resolved by Provincial People’s Courts.

Some notes when filing a copyright dispute lawsuit in court

Filing a copyright dispute lawsuit in court is a legal process that requires the plaintiff to prepare thoroughly in terms of documents, evidence, and a strategy to protect their rights. To ensure the case is accepted and resolved smoothly by the court, the plaintiff needs to pay special attention to the following important issues:

  • Prepare evidence proving copyright ownership (original works, copyright registration certificates, contracts, creative documents, etc.);
  • Correctly identify the defendant and the competent court;
  • Clearly define the claim (establishing rights, compensation, cessation of infringement, etc.);
  • The statute of limitations for filing a lawsuit as stipulated by civil law;
  • The possibility of requesting the application of interim injunctions to prevent further infringement.

The above are the basic contents clarifying “Which court has jurisdiction to resolve copyright disputes?” according to current law. Identifying the correct competent authority from the outset not only facilitates the litigation process and ensures proper procedures, but also contributes to effectively protecting the legitimate rights and interests of authors and copyright owners during dispute resolution in court.

Sincerely,

1. Is copyright registration required before filing a lawsuit?

Copyright registration is not a mandatory condition for filing a lawsuit. However, a copyright registration certificate is important evidence that facilitates proving rights in court.

2. What measures can the court take when resolving copyright disputes?

The court can order the cessation of infringing acts, require compensation for damages, an apology, a public correction, and apply interim injunctions to prevent further infringement.

Are house designs protected by copyright?

House designs are not simply technical drawings; they are also the intellectual creations of architects. Therefore, many people wonder whether house designs are protected by copyright and what the law stipulates regarding this issue. Let’s explore this in detail in this article!

House design

A house design is a collection of documents that express the creative architectural ideas of a residential building, including but not limited to:

  • Floor plans, sections, and elevations
  • 2D and 3D perspective drawings
  • Architectural, structural, and electrical/plumbing design documents
  • Spatial layout, form, and proportion plans

Essentially, a house design is the result of the intellectual work of an architect or design organization, reflecting their personal creativity through the organization of space, form, lines, and architectural solutions.

This creative element is the foundation for determining whether a house design is subject to copyright protection.

Are house designs protected by copyright?

According to current Vietnamese intellectual property law, house designs can be protected by copyright if they meet the conditions stipulated by law. The most important legal basis is found in Clause 1, Article 14 of the Intellectual Property Law, which states: “Works protected by copyright include literary, artistic, and scientific works expressed in a certain tangible form.”

This regulation affirms that as long as a work is created and expressed externally in a specific form such as a drawing, document, model, or design file, it falls within the scope of copyright protection, regardless of its monetary value.

Notably, the law also clearly identifies architectural works as one of the objects protected by copyright. Specifically, Point i, Clause 1, Article 14 of the Intellectual Property Law stipulates:

“Works protected by copyright include literary, artistic, and scientific works, including:

i) Architectural works.”

Thus, from a legal standpoint, a house design is not only a technical document for construction but also an object protected by copyright law. If the design fully meets the conditions of originality, is expressed in a concrete physical form, and does not fall under any legally excluded categories, then copyright for the house design is legally established and protected.

The recognition and protection of copyright for house designs is crucial in safeguarding intellectual property, limiting the unauthorized copying and use of architectural drawings, and providing a legal basis for resolving disputes arising in practice.

Are house designs protected by copyright?

Scope of copyright protection for house designs

When protected, house designs are legally protected in the following aspects:

The author’s moral rights

According to Article 19 of the 2022 Intellectual Property Law, the author has the following rights regarding the house design:

  • Naming the design
  • Using their real name or pseudonym on the work
  • Publishing or allowing others to publish the design
  • Protecting the integrity of the work, preventing others from modifying or altering it in a way that harms the author’s reputation

These rights are attached to the author and are non-transferable (except for the right to publish).

Property rights regarding house designs

According to Article 20 of the 2022 Intellectual Property Law, property rights regarding house designs include:

  • Copying the design
  • Distributing and displaying the design drawings
  • Using the design for construction projects
  • Permitting or denying others the right to exploit and use it

In practice, the investor is only allowed to use the design within the scope of the signed contract. Reusing it for other projects, or transferring it to a third party without permission, may be considered copyright infringement.

Is copyright registration mandatory for house designs?

According to Vietnamese law, copyright registration is not a mandatory condition for house design protection. Specifically, the Intellectual Property Law stipulates: “Copyright arises from the moment the work is created and expressed in a certain tangible form, regardless of registration.” Thus, from the moment a house design is completed in the form of drawings, design files, or architectural models, copyright automatically arises.

However, registering copyright for a house design offers many practical benefits:

  • Provides clear legal evidence in case of disputes
  • Makes it easier to prove ownership before state agencies and courts
  • Reduces the risk of unauthorized copying and use

Therefore, for house designs with high commercial value, used in many projects or for long-term exploitation, copyright registration is essential to maximize the protection of the author’s or copyright owner’s legitimate rights and interests.

The above is an article titled “Are House Designs Protected by Copyright?”. According to the law, if a design demonstrates creativity and is expressed in a concrete physical form, it is fully protected. Understanding and properly protecting copyright helps limit unauthorized copying and safeguard the legal value of the design.

Sincerely,

FAQ

1. Are house designs drawn by individuals protected by copyright?

Yes. As long as the design is directly created by an individual, is independent, and is not copied from others, it is protected by copyright, regardless of whether it is created by an individual or an organization.

2. Does the homeowner have full rights to use the house design after paying the design fee?

Not in all cases. The right to use the house design depends on the agreement in the design contract. If there is no agreement to transfer copyright, this right remains with the architect or design firm.

Does copyright arise from the date of registration?

Many people still believe that only when they possess a copyright registration certificate is their work legally protected. This misconception has caused many individuals and organizations to delay protecting their legitimate rights when disputes arise. So, according to the Intellectual Property Law, from what point in time does copyright arise? Is registration mandatory? This VCD will help you understand the true and complete legal nature of copyright.

Copyright

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to a work created or owned by them.”

This regulation shows that the subject of copyright is not only the person who directly creates the work, but in many cases can also be an organization or individual to whom the right is legally transferred by agreement or by law. Copyright is established to protect the fruits of intellectual labor, fully recognizing the spiritual and material rights of authors and owners, while creating a legal framework to encourage creative activities, research, and the dissemination of knowledge in society.

According to Article 14 of the Intellectual Property Law, copyright is protected for literary, artistic, and scientific works, including but not limited to:

  • Written works: books, articles, textbooks, lectures, scripts
  • Musical, theatrical, and cinematic works
  • Fine art and architectural works
  • Technical drawings and maps
  • Computer programs and databases

It is important to note that the law does not protect ideas, but rather the specific form of expression of the work.

Copyright comprises two basic groups of rights:

  • Moral rights: naming the work, being credited as the author, publishing the work, protecting the integrity of the work.
  • Property rights: copying, distributing, communicating the work to the public, renting, creating derivative works, etc.

All of the above rights are protected by law from the moment copyright arises, thereby creating a solid legal basis for authors and copyright owners to protect their legitimate interests when disputes or copyright infringements occur.

Does copyright arise from the date of registration?

Does copyright arise from the date of registration?

Many individuals and organizations still believe that copyright only arises when a registration application is filed and a copyright certificate is issued. However, this understanding is inconsistent with current intellectual property law and easily leads to misunderstandings in protecting the legitimate rights of authors.

According to Clause 1, Article 6 of the 2022 Intellectual Property Law, it is stipulated that: “Copyright arises from the moment the work is created and expressed in a certain tangible form, regardless of content, quality, form, medium, language, whether published or not, registered or not registered.”

Thus, copyright does not arise from the date of registration. Copyright arises automatically as soon as the work is created and expressed in a specific tangible form.

Is copyright registration mandatory?

The Intellectual Property Law does not require authors or copyright owners to register their work in order to receive protection. This is entirely consistent with the Berne Convention on the Protection of Literary and Artistic Works, of which Vietnam is a member, according to the principle: “Copyright is protected regardless of any formal procedures.”

Although not mandatory, copyright registration is essential and encouraged in practice, especially when the work has economic value or is easily infringed upon.

According to Article 49 of the Intellectual Property Law, authors and copyright owners have the right to register their copyright with the Copyright Office and be granted a Certificate of Copyright Registration. This certificate has significant legal importance and serves as strong evidence to prove ownership.

According to Clause 3, Article 49 of the 2022 Intellectual Property Law: “The Certificate of Copyright Registration is the basis for determining copyright and related rights.”

In case of disputes, the holder of the Certificate is usually presumed to be the legitimate rights holder. The other party has the obligation to prove otherwise. Conversely, if not registered, the author still has rights but must independently gather evidence and prove the time of creation and the process of forming the work. This process is often difficult, time-consuming, and carries potential legal risks.

The above article, “Does Copyright Arise from the Date of Registration?“, aims to help readers understand the true legal nature of copyright under the Intellectual Property Law. Thus, copyright arises automatically as soon as a work is created and expressed in a tangible form, regardless of registration.

Sincerely,

FAQ

1. Does copyright protect the idea or the form of expression of a work?

The law only protects the specific form of expression of a work, not the idea. Only when the idea is expressed as a concrete work is it protected by copyright law.

2. What groups of rights does copyright include?

Copyright includes two basic groups of rights: moral rights and property rights. Moral rights are linked to the honor and reputation of the author, while property rights relate to the exploitation of the economic value of the work and are protected by law under the Intellectual Property Law.

Is it necessary to obtain permission to publish books for internal circulation?

Printing books and documents for internal use is a common practice among many agencies and businesses. However, not everyone understands whether permission is required for internal circulation, and whether there are penalties for not obtaining permission. This article will specifically analyze current legal regulations to help you avoid legal risks during the process of distributing internal documents.

What is an internal circulation book?

Currently, publishing law does not provide a specific definition of “internal circulation book.” However, in practice, an internal circulation book can be understood as a publication compiled and distributed within the internal scope of an agency, organization, or business, not intended for commercial purposes, not distributed to the market, and not serving the general public.

Some common examples:

  • Business manuals, internal training materials
  • Internal training materials of enterprises and organizations
  • Conference and seminar proceedings circulated within the unit
  • Research documents, technical guides for internal use

Because of their “not widely distributed” nature, many units believe that books for internal circulation do not require publishing permission. However, this view is not always correct.

Is it necessary to obtain permission to publish books for internal circulation?

Is publishing permission required for books for internal circulation?

This is a question that causes much confusion, as many agencies and businesses believe that internal distribution does not require publishing permission. However, this view is not entirely correct according to current publishing law regulations.

According to Clause 1, Article 2 of the 2012 Publishing Law, publishing is understood as: “The organization of editing, printing, and distributing works and documents to the public through a publishing house or licensed agency or organization.”

At the same time, Clause 2, Article 4 of the 2012 Publishing Law clearly stipulates: “Only publishing houses are allowed to carry out publishing activities.”

Thus, the law does not base its classification on the purpose of circulation (internal or commercial), but on the form and act of publishing, including: editing – printing – distribution.

Therefore, if a document takes the form of a book, is printed and distributed to many people, even if only internally, it is still considered a publication and falls within the scope of the Publishing Law.

According to Clause 4, Article 4 of the 2012 Publishing Law, publications include: “Printed books, e-books, paintings, photographs, maps, posters, leaflets, and other publications published through publishing houses.”

The law does not exclude publications “for internal circulation only” from the concept of publications. Therefore, internally circulated books are still books, and books are still publications. Publications must be legally licensed before publication. Limiting the readership (only staff, employees, members, etc.) does not change the legal nature of the publishing activity.

How to identify internally circulated books

In practice, internally circulated books must obtain publishing permission when they have one or more of the following characteristics:

  • Complete book title, author, and layout
  • Printed as a complete book, bound, with a clear cover
  • Printed in a specific quantity, not for temporary use
  • Distributed to multiple departments and subordinate units
  • Content is educational, research-oriented, or provides professional or legal guidance

In these cases, the compiling unit cannot independently print and distribute the books, but must collaborate with a publisher and follow the procedures for obtaining a publishing decision as prescribed. The note “Internal Circulation Document” on the book cover does not replace a publishing license.

Violations for publishing internal circulation books without permission

According to Decree 119/2020/ND-CP on administrative penalties in press and publishing activities, the act of printing and distributing publications without a publishing decision may be subject to:

  • Fines: Organizations and individuals who print or distribute internal circulation books without a publishing decision may be subject to administrative fines. The specific fine will depend on: the nature and extent of the violation; the number of books printed and distributed; and the consequences arising from the violation.
  • Forced recall and destruction of all books: This means that all previous costs of compilation, printing, and distribution will not be recognized; the books cannot be used further, even internally; the violating unit must bear all destruction costs.
  • Compulsory repayment of illegal revenue (if any): In cases where internally circulated books generate revenue, even if it is not considered official business activity (e.g., fees for materials, training fees, or supplementary sales of textbooks), the infringing organization may also be compelled to repay all illegal revenue obtained from the unauthorized printing and distribution of the books.

The above article, “Is it necessary to obtain permission to publish books for internal circulation?”, aims to clarify the legal regulations related to the printing and distribution of internal books. We hope that businesses and individuals will gain a correct understanding and choose appropriate options to ensure compliance with the law and safety during the use and distribution of internal documents.

Sincerely,

FAQ

1. In what cases does an internal book not require permission to publish?

Only temporary documents such as administrative documents, photocopied materials for meetings, short-term training, and those not printed as complete books, do not require permission to publish.

2. Are internal books protected by copyright?

Yes. Copyright arises automatically when a work is created and expressed in a physical form, regardless of whether the book is published publicly or only for internal circulation.

Are investigative journalism articles protected by copyright?

Investigative journalism is a type of work that requires a significant investment of time, effort, and professional expertise from journalists. However, in reality, many investigative articles are copied, republished, or exploited without permission after publication. Given this situation, the question arises: are investigative journalism articles protected by copyright law? This article from VCD will help you clarify this.

What is investigative journalism?

Investigative journalism is a highly valuable and in-depth journalistic genre that requires journalists to invest time, effort, and intellect seriously, independently, and creatively. Unlike purely news reporting that only quickly reflects events happening on the surface, investigative journalism aims to clarify the essence of the matter, uncovering hidden issues, those not yet published, or not fully understood in society.

  • Gathering information over a long period
  • Verifying and cross-referencing from multiple sources
  • Analyzing data, documents, testimonies, and evidence
  • Reflecting the nature of events, causes, consequences, and undisclosed issues

In terms of form and content, investigative journalism often has the following prominent characteristics:

  • Deep content with multiple layers of information, not simply a description of events
  • An approach to the issue that bears the personal imprint of the journalist or group of journalists
  • A tight structure, logical argumentation, creative language, clearly expressing the viewpoint and investigative methodology

These elements show that investigative journalism is not just about “reporting news,” but the result of intellectual creativity, fulfilling the nature of a work as defined by copyright law.

Are investigative journalism articles protected by copyright?

Are investigative journalism articles protected by copyright?

According to Clause 5, Article 1 of the 2022 Intellectual Property Law, journalistic works are defined as one of the types of works protected by copyright. More specifically, according to Point c, Clause 1, Article 14 of the Intellectual Property Law, a journalistic work is understood as a work with independent content, a complete structure, created for publication or broadcast on mass media. This regulation is further detailed in Article 9 of Decree No. 22/2018/ND-CP, according to which journalistic works include genres such as: reports, news reports, narratives, interviews, reflections, investigations, commentaries, editorials, essays, journalistic articles, and other journalistic genres published or broadcast on print newspapers, radio, television, online newspapers, or other media.

Thus, investigative journalism is classified as a journalistic work and is subject to copyright protection if it meets the conditions of originality and is presented in a specific form.

What is the scope of copyright protection for investigative journalism?

In practice, investigative journalism is often based on factual data, events, and statistics that have occurred or are currently occurring in society. However, according to intellectual property law, the information itself, the objective facts and events, are not subject to copyright protection. Instead, the law focuses on protecting the creative way in which the content is presented, that is, the result of the journalist’s independent intellectual work.

For investigative journalism, the scope of copyright protection is primarily determined by the creative elements that constitute the work, including:

  • The selection, arrangement, and processing of information
  • The methods of analysis, argumentation, and evaluation of the issue
  • The structure of the article, writing style, and language used
  • The journalist’s own perspective and viewpoint on the event

Conversely, according to Clause 2, Article 15 of the 2022 Intellectual Property Law, purely factual news reports are not subject to copyright protection. These are pieces of information that only reflect events concisely and objectively, without any analytical or creative elements in their presentation.

Therefore, distinguishing between investigative journalism and purely factual news reports is of particular importance in determining the scope of copyright protection. While purely news reports are not protected by copyright, the creative elements in investigative journalism are fully protected by law, aiming to safeguard intellectual property and encourage in-depth, responsible investigative journalism.

The above is an article titled “Is Investigative Journalism Protected by Copyright?”. Understanding and correctly applying copyright regulations not only helps journalists and media organizations protect their intellectual property but also contributes to building a professional journalistic environment that respects copyright and complies with the law.

Sincerely,

FAQ

1. Are current news articles protected by copyright like investigative reports?

Current news articles are not protected by copyright like investigative reports in newspapers. Purely factual news is not subject to copyright protection; this is a fundamental difference compared to investigative journalism.

2. Is copying investigative reports from newspapers without permission a violation of the law?

Yes. Copying, publishing, or exploiting investigative reports from newspapers without the consent of the copyright owner may be considered copyright infringement and will be prosecuted according to the law.

Do film actors have copyright?

In the production and exploitation of films, the role of actors is always considered a crucial element in creating artistic value and appeal. However, many people still wonder whether film actors enjoy copyright, or are only protected under a different legal mechanism. Understanding the true nature of copyright and related rights will help actors and production companies avoid confusion and better protect their legitimate rights and interests.

What is Copyright?

Copyright is the right of an organization or individual to a work they directly create or own. This is one of the important rights in the field of intellectual property, aiming to protect the creative value, both spiritual and economic, of the author or owner of the work.

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to a work created or owned by them.”

Copyright arises from the moment the work is created and expressed in a certain physical form, regardless of whether the work has been registered or not. Copyright registration only serves as legal evidence in case of disputes.

In terms of content, copyright includes two basic groups of rights:

  • Moral rights: linked to the honor and reputation of the author, such as the right to name the work, to use their real name or pseudonym on the work, and the right to protect the integrity of the work.
  • Property rights: allowing the author or owner to exploit the economic value of the work, such as the right to copy, distribute, and communicate the work to the public, allowing others to use the work and receive remuneration or royalties.

According to Article 14 of the 2022 Intellectual Property Law, the types of works protected by copyright are diverse, including cinematographic works and works created using methods similar to cinematography. This is a crucial legal basis for considering the relationship between film actors and the rights arising from cinematographic works, including copyright and related rights.

Do film actors have copyright?

Do film actors enjoy copyright?

According to intellectual property law, film actors are not automatically considered authors of cinematographic works. Legally, copyright is only established for individuals directly involved in the core creative activities that determine the content and form of expression of the cinematographic work. Meanwhile, actors primarily perform their roles based on the script, the director’s direction, and the overall artistic direction of the film.

In a film, the entities typically recognized by law as authors include:

  • Screenwriter
  • Director
  • Music composer
  • Cinematographer
  • Art designer
  • Film editor (in some cases)

Actors only perform roles based on the script and existing artistic direction; they do not directly create the film from a legal perspective regarding copyright. Therefore, film actors do not enjoy copyright rights over the film.

In rare cases, an actor may still become a copyright holder if:

  • They are simultaneously the scriptwriter or co-author of the work
  • They directly participate in creating the core content that determines the form of expression of the work
  • There is a written agreement acknowledging their authorship

In such cases, copyright and performer rights coexist, but must be clearly proven by specific legal grounds.

How are the rights of film actors protected?

Although they do not enjoy copyright protection, film actors are still protected by law through related rights, specifically the rights of performers.

The rights of performers include: Personal rights and property rights.

Personal rights of performers:

  • The right to have their name mentioned during performances
  • The right to have their image, reputation, and honor protected during the exploitation of their performance
  • The right to prevent others from distorting, altering, or damaging their reputation

Property rights of performers:

  • The right to permit or not permit the creation, copying, or broadcasting of their performance
  • The right to receive remuneration and royalties when the performance is commercially exploited
  • The right to receive material benefits from the use of their image, voice, and acting

Note: These rights may be transferred or agreed upon in the contract between the actor and the film producer.

The above is an article titled “Do Film Actors Have Copyright Rights?”. Hopefully, this information will help readers understand the rights of actors correctly and fully, as well as clearly distinguish between copyright and related rights.

Sincerely,

FAQ

1. Who is recognized as the author of a film?

The author of a film usually includes the screenwriter, director, composer, cinematographer, art designer, and in some cases, the editor – those who directly create the content and form of the work.

2. In what cases can an actor simultaneously hold copyright?

An actor can become the copyright holder if they are simultaneously the author or co-author of the script, directly participate in creating the core content of the work, or have a written agreement clearly stating their authorship status as stipulated by law.

Is it mandatory for the author and copyright owner to be the same person when registering a copyright?

In reality, many works are created directly by individuals, but the ownership belongs to an organization or another entity. This causes many people to wonder when registering copyright: is it mandatory for the author and copyright owner to be the same person? This article by VCD will help you.

Legal Regulations on Authors and Copyright Owners

Vietnamese Intellectual Property Law clearly distinguishes between authors and copyright owners; these are two independent entities with different legal statuses and scopes of rights. According to Clause 2, Article 4 of the 2005 Intellectual Property Law (amended and supplemented in 2022), an author is a person who directly creates all or part of a literary, artistic, or scientific work. Authorship is established based on the element of individual creativity, linked to the intellectual labor process, and does not depend on whether the work has been published or registered for protection.

Meanwhile, copyright ownership is understood as the organization or individual holding the property rights to the work. According to Article 37 of the Intellectual Property Law, copyright ownership can be the author himself, or another organization or individual who acquires ownership through legal grounds such as: the work was created as part of an assigned task; under a creative contract; through copyright transfer; through inheritance; or established according to the provisions of law. Thus, the law does not implicitly equate authorship with copyright ownership.

Therefore, it can be seen that the author is a subject associated with personal rights, while the copyright owner is a subject associated with property rights. This distinction is crucial for correctly identifying the subject named in the copyright registration application as well as the scope of protected rights.

Is it mandatory for the author and copyright owner to be the same person when registering a copyright?

Is it mandatory for the author and the copyright owner to be the same entity when registering a copyright?

Current intellectual property law does not require the author and the copyright owner to be the same entity when carrying out copyright registration procedures. In practice, it is common for these two entities to be different, especially in business environments, production and business activities, and professional creative fields.

According to Article 39 of the Intellectual Property Law, for works created under a task assigned by an organization or under a creative contract, the organization or individual assigning the task or signing the contract is the copyright owner, unless the parties agree otherwise. In this case, the individual directly creating the work is still recognized as the author, but the property rights belong to the entity that assigned the task or paid the creative fee. Furthermore, according to Article 45 of the Intellectual Property Law, the author or copyright owner has the right to transfer the property rights to the work to another organization or individual. After the transfer is legally completed, the transferee will become the copyright owner. When registering copyright, the Certificate may record the author as the individual creator, and the owner as the organization or individual receiving the transfer, along with documents proving the basis for establishing the right.

Therefore, when receiving a copyright registration application, the competent state agency will not consider whether the author and the owner are the same, but will focus on evaluating the legality of the basis for establishing ownership rights. As long as the application is complete, valid, and clearly shows the legal relationship between the author and the owner, having different names on the Certificate is entirely in accordance with the law.

Is copyright registration mandatory for a work?

According to Clause 1, Article 6 of the Intellectual Property Law, copyright arises from the moment a work is created and expressed in a certain tangible form, regardless of whether the work has been registered or not. This provision affirms that copyright registration is not a mandatory condition for a work to be protected by law.

However, in practical application of the law, copyright registration is of particular importance. According to Article 49 of the Intellectual Property Law, the Copyright Registration Certificate is legal evidence recording information about the author, owner, and the time of establishment of the right. In case of disputes, the Certificate significantly reduces the burden of proof for the rights holder, while also creating a clear advantage when requesting the competent authority to protect their legitimate rights and interests.

Therefore, although copyright registration is not legally mandated, carrying out this procedure is considered a proactive and necessary legal measure, especially for works with economic value, those that are commercially exploited, or those at risk of copyright infringement.

The above is the article “Is it mandatory for the author and copyright owner to be the same when registering copyright?” that VCD has sent to you. We hope this article is helpful to you.

Sincerely,

When registering a copyright, is it mandatory for the author and the copyright owner to be the same person?

No. The law allows the author and the copyright owner to be two different entities, as long as there is a valid legal basis for establishing ownership.

In the case where the author is not the copyright owner, how is copyright registration carried out?

The registration file will record the author as the creator of the work and record another organization or individual as the copyright owner, along with documents proving ownership.

Music copyright license

In the process of exploiting and using music for communication, business, or entertainment purposes, a music copyright license is an important legal basis that helps individuals and organizations use the work legally. Lack of understanding or neglecting the licensing procedure can lead to the risk of copyright infringement and legal penalties. This article will provide detailed information about music copyright licenses.

What is a music copyright license?

A music copyright license is a legal document issued by the copyright owner or their legally authorized representative to another individual or organization, permitting the use of a musical work within the agreed scope, purpose, duration, and form.

According to Vietnam’s Intellectual Property Law, music is a copyrighted work, including: songs, instrumental music, arrangements, beats, sound and video recordings, etc. The use of these works for commercial exploitation or widespread distribution requires a legal music copyright license, except for certain exceptions as stipulated by law.

When is a music copyright license required?

Not all uses of music require a license; however, in practice, most music exploitation activities require a license, especially when there is a commercial element. Some common cases requiring a music copyright license include:

Using music on YouTube, TikTok, and Facebook

  • Adding music to publicly uploaded videos
  • Livestreaming with background music
  • Advertising videos, product and brand introductions

Without a license, videos may be subject to copyright claims/strikes, monetization may be disabled, or they may be removed from the platform.

Playing music at business locations

  • Cafes, restaurants, hotels
  • Spas, gyms, shopping malls
  • Cinemas, amusement parks

Even if only background music is played, business owners must still obtain a license and pay royalties as required.

Organizing events, performances, and art programs

  • Live music shows
  • Corporate events, opening ceremonies
  • Ticketed or sponsored performances
  • Using music in films, TV commercials, and advertisements
  • Television and online advertising
  • Corporate introductory videos
  • Short films, feature films, documentaries
Music copyright license

Procedures for applying for music copyright licenses

In reality, the licensing process is not overly complicated, but it requires the applicant to correctly identify the type of rights to be applied for, the correct licensing authority, and provide complete information about the scope of music use. Below is the process for applying for a music copyright license, helping you easily understand and comply with current legal regulations.

Step 1: Identify the work and rights to be applied for

  • Song title, author
  • Form of use (online distribution, performance, advertising, etc.)
  • Scope, duration, and territory of use

Step 2: Contact the owner or representative

Submit a licensing request with detailed information about the purpose of exploiting the music.

Step 3: Agree on copyright fees

The fee for registering a music copyright license depends on the following factors:

  • Type of use
  • Duration of use
  • Scale of exploitation
  • Commercial nature

Step 4: Sign the contract and receive the license

After paying the fee, the user will be granted a legal music copyright license or a copyright licensing agreement.

Timeframe for issuing music copyright licenses

According to Clause 15, Article 1 of the 2022 Intellectual Property Law, the processing time for copyright and related rights registration applications is specifically stipulated as follows:

  • Within 15 working days from the date the competent state agency receives a complete and valid application, the applicant will be granted a certificate of copyright or related rights registration.
  • In case of refusal to issue the certificate, the competent agency is responsible for notifying the applicant in writing and clearly stating the reasons for not approving the certificate in accordance with the law.

Validity of music copyright licenses

The certificate of copyright or related rights registration is legally valid throughout the entire territory of Vietnam, without being limited by locality or place of issuance. This document is an important basis for confirming legal ownership of musical works and protecting the rights of authors and owners in case of disputes.

For certificates issued before the effective date of the amended and supplemented Intellectual Property Law, they continue to be recognized and retain their legal validity according to current regulations; no re-registration procedure is required.

The above article, “Music copyright license,” helps you understand the legal regulations related to the use and exploitation of musical works. Proactively obtaining a complete copyright license not only helps avoid the risk of penalties but also ensures your legal rights throughout the usage process.

Sincerely,

FAQ

1. Who has the authority to issue music copyright licenses?

Music copyright licenses are issued by the author, copyright owner, or collective rights management organizations such as the Vietnam Copyright Protection Center for Music (VCPMC) and other legally authorized entities.

2. Will I be penalized for not obtaining a music copyright license?

Yes. Using music without a legal license can result in administrative penalties, forced removal of infringing content, compensation for damages, and damage to the reputation of individuals or businesses.