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Author: Editor VCD

Conditions for initiating a civil lawsuit regarding copyright and related rights

When copyright and related rights are infringed, initiating a civil lawsuit is one of the important legal measures to protect the legitimate rights and interests of the rights holder. However, not every infringement case can be immediately prosecuted; it must meet all the conditions stipulated by civil procedural law and intellectual property law. This article will clarify the conditions for initiating a civil lawsuit regarding copyright and related rights.

Right to initiate civil lawsuits concerning copyright and related rights

Based on Article 56 of Decree 22/2018/ND-CP and inherited and updated in Decree 17/2023/ND-CP detailing the implementation of some articles of the Law on Intellectual Property concerning copyright and related rights (Decree 17/2023), the protection of copyright and related rights is carried out as follows:

The copyright owner and the owner of related rights may directly exercise their rights or authorize a collective copyright and related rights representative organization or another organization or individual to act on their behalf in protecting their rights. The authorized entity is responsible for publicly disclosing information so that organizations and individuals wishing to exploit or use the works, performances, sound recordings, video recordings, and broadcast programs can contact them to negotiate the use.

This content is also recorded in Section II.1 of Joint Circular 02/2008/TTLT-TANDTC-VKSNDTC-BVHTT&DL-BKH&CN-BTP when regulating the right to initiate civil lawsuits related to copyright and related rights.

Accordingly, the entities entitled to initiate lawsuits include:

  • Authors; copyright owners, owners of related rights; legal heirs of the author or of the copyright owner, or owner of related rights; individuals and organizations to whom rights have been transferred from the copyright owner, or owner of related rights; individuals and organizations using the work under contract; performers; producers of sound and video recordings; broadcasting organizations.
  • Collective copyright and related rights organizations; other organizations and individuals authorized by the copyright owner or owner of related rights to initiate lawsuits.
  • State agencies and relevant organizations, within the scope of their duties and powers, have the right to initiate civil lawsuits to protect public interests or the interests of the State in the field of copyright and related rights.
Conditions for initiating a civil lawsuit regarding copyright and related rights

Conditions for initiating a civil lawsuit regarding copyright and related rights

The conditions for initiating a civil lawsuit regarding copyright and related rights are stipulated in Clause 1, Section IIIA of Joint Circular 02/2008/TTLT-TANDTC-VKSNDTC-BVHTT&DL-BKH&CN-BTP, specifically as follows:

Condition 1: Copyright and related rights have arisen according to the provisions of law.

Copyright and related rights are established according to the provisions of Clauses 1 and 2, Article 6 of the 2022 Intellectual Property Law.

“1. Copyright arises from the moment the work is created and expressed in a certain physical form, regardless of content, quality, form, medium, language, whether published or unpublished, registered or unregistered.

2. Related rights arise from the moment a performance, sound recording, video recording, or broadcast program is presented.” “Waves and satellite signals carrying encoded programs are formed or performed without infringing on copyright.”

Accordingly, authors, copyright owners, and owners of related rights have the right to apply for a Certificate of Copyright Registration or a Certificate of Related Rights Registration under Article 49 of the 2022 Intellectual Property Law.

However, this registration is not a mandatory condition for legal recognition and protection of copyright and related rights.

In the event of a dispute and a party requests the Court to protect their legitimate rights and interests, the Court is still responsible for considering and resolving the case regardless of whether the plaintiff has been granted a registration certificate or has filed an application.

Condition 2: Copyright and related rights are still within the protection period.

Authors, copyright owners, and owners of related rights may only exercise their moral and property rights within the scope and duration of protection prescribed by law.

The protection period for copyright and related rights is determined according to:

  • Articles 27 and 34 of the 2022 Intellectual Property Law;
  • Article 26 of Decree 85/2011/ND-CP

When the protection period has expired (except for the moral rights stipulated in Clauses 1, 2, and 4 of Article 19 of the Intellectual Property Law), the rights of authors, copyright owners, and owners of related rights are no longer protected by law. Therefore, the Court will only accept and resolve cases when these rights are still within the protection period, except for rights for which the law does not specify a protection period.

The above is an article titled “Conditions for Initiating a Civil Lawsuit Regarding Copyright and Related Rights.” Hopefully, this information will help authors, copyright owners, and related organizations and individuals understand the legal basis and necessary conditions before initiating a lawsuit, thereby effectively protecting their legitimate rights and interests in accordance with the law.

Sincerely,

FAQ

1. Is it mandatory to register copyright before initiating a civil lawsuit regarding copyright and related rights?

It is not mandatory. Copyright arises from the moment the work is created and expressed in a certain physical form. However, the Copyright Registration Certificate is important evidence that facilitates the proof of ownership when filing a lawsuit.

2. What if one of the conditions for initiating a civil lawsuit regarding copyright and related rights is missing?

If the conditions are not fully met, the Court may request amendments or additions to the application or return the lawsuit. Therefore, carefully reviewing the legal requirements before submitting an application is essential to avoid wasting time and effort.

Are works expressed in written form protected by copyright?

Many people believe that only works with elaborate presentations or those printed as books are protected by copyright. However, with the rapid development of the digital environment, more and more works are created and expressed simply in written form, such as articles, textbooks, scripts, website content, and electronic documents. So, are works expressed in written form protected by copyright? Let’s find out with VCD in the article below!

Works expressed in written form

Currently, the law does not have a separate definition of “works expressed in written form.” However, it can be understood that works expressed in written form are those created and expressed through a system of writing, symbols, numbers, codes, etc., that can be read, recognized, and stored in text form.

These works include, but are not limited to:

  • Literary articles, short stories, novels
  • Articles, SEO articles, website content
  • Textbooks, lectures, training materials
  • Film scripts, advertising scripts
  • Research reports, theses
  • Digital content expressed in written form (PDF, Word, HTML…)

The common point of the above works is that they are all expressed through written form and their physical form can be identified, whether on paper or in electronic files.

Are works expressed in written form protected by copyright?

Are works expressed in written form protected by copyright?

According to Clause 1, Article 14 of the 2022 Intellectual Property Law: “Works protected by copyright include literary, artistic, and scientific works expressed in a certain physical form, regardless of the medium, language, form of expression, quality, or quantity.”

This regulation shows that Vietnamese law does not impose any limitations on the form of expression of a work when considering copyright protection. In other words, whether a work is expressed in writing, characters, numbers, symbols, or presented on paper, in a digital environment, or as electronic data is not a basis for excluding its possibility of protection.

Accordingly, for a work to be protected by copyright, the law only requires it to meet the following basic conditions:

  • The work must belong to the field of literature, art, or science: This is the general scope of protection set forth by the Intellectual Property Law for objects entitled to copyright.
  • The work must be expressed in a certain physical form: The term “physical form” here is broadly understood, encompassing printed texts on paper, electronic files, content posted on websites, and digitized archived documents. As long as the work can be recognized, copied, or communicated, it is considered to have a physical form.

Meanwhile, works in written form clearly belong to the category of literary or scientific works and are expressed through printed texts or electronic files.

Therefore, works expressed in written form are fully protected by copyright under Vietnamese law, regardless of whether they are handwritten, typed, posted on the Internet, or stored as digital data.

As soon as a work is created and expressed in a certain physical form, copyright arises automatically; registration is not required. In the event of copyright infringement, the author or copyright owner of a text-based work has full legal grounds to request protection of their legitimate rights and interests in accordance with the Intellectual Property Law.

Scope of protection and author’s rights to text-based works

Copyright protection for text-based works means that the author’s rights associated with that work are recognized and protected by law. Therefore, it is necessary to clarify the scope of protection as well as the rights that the author enjoys to avoid confusion in the process of using and exploiting the work.

Scope of Protection

According to Article 6 of the 2022 Intellectual Property Law: “Copyright arises from the time the work is created and expressed in a certain physical form.”

Thus, when a text-based work meets the conditions for protection, copyright arises automatically, regardless of registration.

Rights of the author of a work in written form

Personal rights of the author of a work in written form:

  • Naming the work
  • Using one’s real name or pseudonym
  • Publishing or allowing others to publish the work
  • Protecting the integrity of the work’s content

Property rights of the author of a work in written form:

  • Copying the work
  • Distributing and communicating it to the public
  • Renting and commercially exploiting it
  • Allowing others to use it for a fee

In case of unauthorized copying or use of the work or written content, the author has the right to:

  • Request the cessation of the infringing act
  • Request an apology and compensation
  • File a lawsuit in a competent court

The above is an article titled “Are Works Expressed in Text Form Protected by Copyright?”. Hopefully, the content of this article will help authors and copyright owners understand the scope of protection for works expressed in text form, thereby proactively protecting their legal rights and interests during the creation, exploitation, and use of their works.

Sincerely,

FAQ

1. Do works expressed in text form need to be registered to be protected by copyright?

No. Copyright arises automatically from the moment the work is created and expressed in a certain physical form, regardless of registration.

2. In what cases are works expressed in text form not protected by copyright?

Some subjects, although expressed in written form, are not protected by copyright, including purely factual news, legal regulations, administrative documents, procedures, operating methods, and purely numerical data and facts, as stipulated in the Intellectual Property Law.

Can schools own the copyright to teachers’ lectures?

During the teaching process, teachers often directly develop lectures based on their professional knowledge, pedagogical experience, and the school’s training requirements. However, when these lectures are used within the educational institution’s operations, especially in the employment relationship between the teacher and the school, the question arises: does the copyright to the lecture belong to the teacher or the school, and can the school be listed on the Copyright Certificate? This article by VCD will help you.

Are lectures subject to copyright protection?

According to the Intellectual Property Law, lectures are one of the types of works protected by copyright if they meet the legally stipulated conditions. Specifically, Clause 1, Article 14 of the 2005 Intellectual Property Law (as amended and supplemented) stipulates that scientific works, textbooks, lectures, and other works expressed in written form, symbols, images, sounds, or other means are subject to copyright protection.

Copyright for lectures only arises when the lecture is expressed in a certain physical form, such as printed lesson plans, electronic lecture slides, audio or video lectures, online lectures, or teaching materials stored on a digital system. Teaching ideas, methods of delivery, or purely knowledge content that has not been expressed in a concrete form are not considered works and are not subject to copyright protection.

Furthermore, copyright protection for lectures does not depend on whether or not they have been registered with the competent state authority. According to Article 6 of the Intellectual Property Law, copyright arises from the moment a work is created and expressed in a tangible form. Copyright registration only serves to establish initial evidence in case of disputes, and is not a condition for protection.

In practice, materials such as lesson plans, PowerPoint slides, student handouts, e-learning lectures, or video lectures created directly by teachers are considered works and are protected by copyright. However, the scope of protection only applies to the specific form of expression of the lecture, not to general knowledge content, widely disseminated data, or training programs based on standard frameworks issued by competent authorities.

Can schools own the copyright to teachers' lectures?

Can schools own the copyright to teachers’ lectures?

Whether a school has the right to hold the copyright to a teacher’s lesson depends on the basis of establishing ownership of the lesson, specifically:

  • If the teacher creates the lesson independently, not as part of an assigned task and without any other agreement, then the teacher is both the author and the copyright owner. In this case, the school does not have the right to be the copyright owner unless there is a legal transfer of rights.
  • If the lesson is created as part of a task assigned by the school, or created within the framework of an employment contract, teaching contract, or a written agreement designating the school as the copyright owner, then the school has the right to be the copyright owner, while the teacher remains recognized as the author.
  • If the teacher transfers the copyright ownership to the school, then after completing the legal transfer procedures, the school also has the right to be the copyright owner on the Copyright Registration Certificate.

Therefore, schools do not automatically have the right to hold the copyright to teachers’ lectures; they can only hold the copyright when there is a clear legal basis as stipulated by intellectual property law.

Legal risks if schools hold copyrights illegally

First, the copyright certificate may be revoked or amended.

According to the Intellectual Property Law, a copyright registration certificate is only valid when the information about the author and owner is recorded correctly as the rightful owner. If a school holds the copyright certificate while not being the legal owner, the competent authority may revoke, cancel, or request amendments to the certificate at the request of the interested party.

Second, liability for damages may arise.

If the unauthorized ownership of a teacher’s work affects their honor, reputation, professional rights, or the right to exploit the work, the school may be liable for damages under civil law and intellectual property law.

Thirdly, there are legal risks in the process of exploiting and using the work.

When the legal ownership status is not legitimate, any activity involving the use, digitization, licensing, transfer, or exploitation of the lesson plan carries the risk of disputes, leading to the suspension of the work’s use and directly affecting the school’s training activities and reputation.

The above is the article “Does a school have the right to own the copyright to a teacher’s lesson plan?” that VCD has sent to you. We hope this article is helpful to you.

Sincerely,

FAQ

Question 1: Does a lesson plan created by a teacher automatically belong to the school?

No. According to the Intellectual Property Law, the teacher is the author of the lesson plan if they directly create the content. The school only becomes the copyright owner when the lesson plan is created as part of an assigned task and there is an agreement or legal basis establishing ownership rights for the school.

Question 2: Can the school be named on the Copyright Certificate for a teacher’s lesson plan?

Yes, but only if the school is the copyright owner, for example, when the lesson plan is created under an employment contract, professional assignment, or there is a written transfer of rights from the teacher to the school in accordance with the law.

Does posting excerpts from a work without charging a fee violate copyright?

Posting excerpts of works on websites and social media is quite common nowadays. However, many people still believe that as long as it’s not for profit, it won’t constitute copyright infringement. So, does posting free excerpts of works violate copyright? Let’s find out in the article below!

What is a work excerpt?

Currently, the law does not provide a separate definition of “work excerpt”. However, it can be understood that an excerpt from a work is the use of a portion of the content of a copyrighted work (literature, art, science, etc.) in any form such as copying, publishing, sharing, or displaying.

Common types of excerpts from works include:

  • Excerpts from books, stories, and articles
  • Excerpts from song lyrics and musical pieces
  • Excerpts from films and television programs
  • Excerpts from research papers and textbooks

Whether short or long, and whether or not a fee is charged, the use of the work is an act of copyright usage.

General principles regarding copyright when using works:

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to the work they have created or own.”

In principle, when an organization or individual uses another person’s work, they must obtain permission from the author/copyright owner and pay royalties, fees, and other material benefits (except in cases where the law provides exceptions).

Therefore, not charging fees for publishing or using a work does not equate to the freedom to use the work, nor does it exclude the risk of copyright infringement unless it falls under the legally defined exceptions.

Does posting excerpts from a work without charging a fee violate copyright?

Does posting excerpts from a work without charging a fee violate copyright?

Not all acts of publishing excerpts of a work without charging fees constitute copyright infringement. The law stipulates certain exceptions that allow the use of a work within a specific scope. Conversely, if it is outside that scope, it will be considered a violation and subject to penalties. Below are specific cases:

Cases where posting excerpts of a work without charge does not constitute a violation:

  • Reasonable quotation for informational, commentary, or research purposes: According to point a, clause 1, Article 25 of the 2022 Intellectual Property Law: “Reasonable quotation of a work for commentary or illustration in one’s own work, provided that the author’s name and source of the work are clearly stated.” Thus, posting excerpts without charge will not violate if only a reasonable portion is quoted, not replacing the original work; the purpose is commentary, analysis, illustration, or research; the author’s name and source of the work are clearly stated; and it does not affect the normal exploitation of the work. Legitimate examples: quoting a short passage from a book for content analysis; quoting a portion of an article for commentary or critique; quoting a scientific research passage for teaching or learning.
  • Using the work for non-commercial educational and teaching purposes: According to point d, clause 1, Article 25 of the Intellectual Property Law: “Using the work in teaching and learning activities not for commercial purposes.” In this case, since no fees are charged, the purpose is not commercial, and the content of the work is not altered or distorted, posting excerpts may not be considered a violation.

Cases where posting excerpts without charging fees still violates copyright:

Posting excerpts of a work “for free” is not always legally safe. Many cases are still considered copyright infringement, such as:

  • Excerpts that are too long, replacing the original work: Posting multiple chapters of a book; posting the “best” or “climax” parts of a film or story; compiling excerpts long enough that viewers don’t need to access the original work.
  • Not including the author’s name and source: By law, clearly stating the author’s name and source is a mandatory condition. Failure to meet this condition violates the author’s moral rights.
  • Posting excerpts to attract traffic and indirect advertising: Websites that don’t charge for reading but include advertisements and sell products or services are considered indirect commercial purposes and still require permission and copyright fees.

Important notes when posting excerpts of works

To minimize legal risks and avoid copyright infringement, individuals and organizations posting excerpts of works should pay special attention to the following:

  • Only quote within the necessary scope, appropriate to the purpose of use, and do not replace or affect the normal exploitation of the original work.
  • Clearly state the author’s name and source of the work, ensuring full respect for the author’s personal rights as stipulated by law.
  • Do not use excerpts for commercial purposes or to promote products or services without the author’s or copyright owner’s consent.
  • Do not edit, cut, or distort the content of the work, or misrepresent the meaning and spirit of the original work.
  • If you have any concerns about the scope of use, you should proactively seek written permission from the copyright owner to ensure legal safety.

The above is the article “Does posting excerpts from a work without charging a fee violate copyright?”. VCD hopes you will better understand the legal regulations on copyright, correctly identify cases where excerpts of a work are permitted, and recognize actions that may be considered violations.

Sincerely,

1. Is it a violation to not credit the author when posting excerpts of a work?

Yes. Not crediting the author and source of the work may be considered an infringement of the author’s personal rights, even if no fee is charged.

2. Is permission required to post excerpts of a work to attract website views?

If the posting of excerpts of a work on a website is for commercial purposes, the user of the work must still obtain permission and pay royalties as required by law.

Does rewriting the ending of a work violate copyright?

Rewriting the ending of a work is a fairly common practice in creative writing, learning, etc. However, many people wonder whether rewriting the ending violates copyright, especially when the original work is still protected. To answer accurately, this act needs to be considered in relation to the right to create derivative works, the scope of legal use, and the limitations permitted by intellectual property law.

How is copyright in a work understood?

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to a work created or owned by them.” Copyright arises automatically from the moment the work is created and expressed in a certain physical form, regardless of registration.

A literary, cinematic, or theatrical work is protected in its entirety, including:

  • Plot
  • Characters
  • Development
  • Ending
  • Creative form of expression

Therefore, the ending of a work is protected by copyright like other creative elements, and any act of exploiting, modifying, or using this ending must be carefully considered from a copyright perspective as stipulated by law.

What constitutes a legal act of rewriting the ending of a work?

Rewriting the ending of an existing work is usually classified as one of the following acts:

  • Creating a derivative work
  • Adapting or modifying the work
  • Transforming or creating based on the original work

According to Clause 8, Article 4 of the 2022 Intellectual Property Law: “A derivative work is a work created on the basis of one or more existing works.”

Examples:

  • Rewriting a different ending for a famous novel
  • Changing the fate of a character

Thus, all these cases show signs of being derivative works.

Does rewriting the ending of a work violate copyright?

Does rewriting the ending of a work violate copyright?

Rewriting the ending may be legal in some cases, but it also carries the risk of copyright infringement if it does not meet the conditions under Intellectual Property Law. The content below will clarify the cases considered infringing and not considered infringing to help you avoid legal risks.

Rewriting the ending of a work constitutes copyright infringement

Rewriting the ending risks copyright infringement if it falls into one of the following cases:

  • Without the author’s/copyright owner’s permission: According to Article 20 of the 2022 Intellectual Property Law, copyright owners have the right to “create derivative works.” Therefore, rewriting the ending, if considered a derivative work, requires the permission of the copyright owner, except in exceptional cases as stipulated by law.
  • The content remains closely based on the original plot, characters, and world. If the characters remain unchanged; the setting and plot are the same; only the ending is altered… it will be considered an infringement of the right to create a derivative work.
  • Publicly published or commercially exploited: If you use it to post on websites, social media; publish books, stories, films; or monetize the rewritten content. In this case, the copyright owner has the right to request removal, compensation for damages, or administrative penalties.

Rewriting the ending of a work is not considered a copyright infringement

Not all acts of rewriting the ending violate the law. Some cases may be acceptable:

  • The work’s copyright protection period has expired: According to Article 27 of the Intellectual Property Law, the copyright protection period for literary works is for the author’s lifetime and 50 years after the author’s death. If the work is already in the public domain, you have the right to freely exploit it, including rewriting the ending.
  • Writing for personal research, study, or analysis: According to Article 25 of the 2022 Intellectual Property Law, some acts of using a work do not require permission or payment, including: “Reasonably quoting a work without distorting the author’s meaning for commentary or illustration in one’s own work.” However, it must not be published as a standalone work and must not affect the normal exploitation of the original work.
  • New creative content, independent of the original work: If you only take general inspiration, without using specific characters, plot, or details, this can be considered a standalone work and does not infringe on copyright.

The above is the information that VCD wants to share with you: Does rewriting the ending of a work infringe on copyright?”. To avoid legal risks, individuals and organizations should understand the regulations regarding derivative works, respect copyright, and obtain permission when exploiting works in cases where required by law.

Sincerely,

Câu hỏi thường gặp

1. Is rewriting the ending for personal study or research a violation of copyright?

If it is solely for educational or research purposes, not for commercial purposes and not for public publication, this act is generally not considered a copyright infringement under the fair use limits.

2. Does publicly posting a rewritten ending on social media carry legal risks?

Yes. Publicly publishing a rewritten ending without the consent of the original author or copyright owner may be considered a copyright infringement, especially if the content still relies heavily on the original work.

Which court has jurisdiction to resolve copyright disputes?

When copyright is infringed, filing a lawsuit is an important legal solution to protect the legitimate rights and interests of the author and owner of the work. However, for the case to be properly accepted and resolved, a prerequisite is to correctly identify which court has jurisdiction to resolve the copyright dispute. This article from VCD will help you answer this question in detail!

What is a copyright dispute?

Current law does not have a direct definition of “copyright dispute.” However, based on Clause 1, Article 4 of the 2022 Intellectual Property Law: “Intellectual property rights are the rights of organizations and individuals to intellectual property, including copyright and related rights, industrial property rights, and rights to plant varieties.”

From this, it can be understood that copyright disputes are disputes arising between parties related to:

  • The author’s moral rights;
  • Property rights over the work;
  • The right to use, exploit, transfer, and inherit copyright;
  • Acts of copyright infringement.

Examples: Disputes over unauthorized copying of a work, unauthorized use of a work, disputes over copyright transfer contracts, disputes over who is the true author of a work…

Which court has jurisdiction to resolve copyright disputes?

Forms of copyright dispute resolution

According to the Intellectual Property Law and procedural law, copyright disputes can be resolved by the following methods:

  • Negotiation;
  • Mediation;
  • Administrative handling;
  • Arbitration (if agreed upon);
  • Lawsuit in court.

In this context, the Court is the most comprehensive and thorough authority to resolve disputes, especially complex disputes involving large claims for damages or the determination of copyright ownership.

Which court has jurisdiction to resolve copyright disputes?

The determination of which court has jurisdiction to resolve copyright disputes is primarily based on:

  • The 2015 Civil Procedure Code;
  • The 2022 Intellectual Property Law;
  • Implementing regulations.

According to Article 26 of the 2015 Civil Procedure Code: “Disputes concerning intellectual property rights and technology transfer between individuals and organizations, all with the purpose of profit” fall under the jurisdiction of the Court.

Thus, copyright disputes are a type of civil dispute falling under the jurisdiction of the People’s Court.

Jurisdiction of provincial people’s courts in copyright disputes

According to Clause 1, Article 37 of the 2015 Civil Procedure Code, provincial People’s Courts have first-instance jurisdiction over: “Civil disputes with foreign elements; disputes falling under the jurisdiction of district courts but of a complex nature or at the request of the parties.”

Regarding copyright disputes, provincial People’s Courts usually have jurisdiction in the following cases:

  • Involves foreign elements (authors or owners are foreigners; works are exploited abroad, etc.);
  • Complex disputes with high value;
  • Requests for the application of interim injunctive measures;
  • According to specific provisions of intellectual property law.

Jurisdiction of district people’s courts in copyright disputes

According to Clause 1, Article 35 of the 2015 Civil Procedure Code, District People’s Courts have jurisdiction to resolve civil disputes in first instance proceedings, except for disputes falling under the jurisdiction of Provincial People’s Courts.

In practice, district people’s courts can resolve copyright disputes that:

  • Are simple in nature;
  • Both parties are domestic individuals or organizations;
  • Do not involve foreign elements;
  • Do not fall under cases that the law stipulates must be resolved by Provincial People’s Courts.

Some notes when filing a copyright dispute lawsuit in court

Filing a copyright dispute lawsuit in court is a legal process that requires the plaintiff to prepare thoroughly in terms of documents, evidence, and a strategy to protect their rights. To ensure the case is accepted and resolved smoothly by the court, the plaintiff needs to pay special attention to the following important issues:

  • Prepare evidence proving copyright ownership (original works, copyright registration certificates, contracts, creative documents, etc.);
  • Correctly identify the defendant and the competent court;
  • Clearly define the claim (establishing rights, compensation, cessation of infringement, etc.);
  • The statute of limitations for filing a lawsuit as stipulated by civil law;
  • The possibility of requesting the application of interim injunctions to prevent further infringement.

The above are the basic contents clarifying “Which court has jurisdiction to resolve copyright disputes?” according to current law. Identifying the correct competent authority from the outset not only facilitates the litigation process and ensures proper procedures, but also contributes to effectively protecting the legitimate rights and interests of authors and copyright owners during dispute resolution in court.

Sincerely,

1. Is copyright registration required before filing a lawsuit?

Copyright registration is not a mandatory condition for filing a lawsuit. However, a copyright registration certificate is important evidence that facilitates proving rights in court.

2. What measures can the court take when resolving copyright disputes?

The court can order the cessation of infringing acts, require compensation for damages, an apology, a public correction, and apply interim injunctions to prevent further infringement.

Are house designs protected by copyright?

House designs are not simply technical drawings; they are also the intellectual creations of architects. Therefore, many people wonder whether house designs are protected by copyright and what the law stipulates regarding this issue. Let’s explore this in detail in this article!

House design

A house design is a collection of documents that express the creative architectural ideas of a residential building, including but not limited to:

  • Floor plans, sections, and elevations
  • 2D and 3D perspective drawings
  • Architectural, structural, and electrical/plumbing design documents
  • Spatial layout, form, and proportion plans

Essentially, a house design is the result of the intellectual work of an architect or design organization, reflecting their personal creativity through the organization of space, form, lines, and architectural solutions.

This creative element is the foundation for determining whether a house design is subject to copyright protection.

Are house designs protected by copyright?

According to current Vietnamese intellectual property law, house designs can be protected by copyright if they meet the conditions stipulated by law. The most important legal basis is found in Clause 1, Article 14 of the Intellectual Property Law, which states: “Works protected by copyright include literary, artistic, and scientific works expressed in a certain tangible form.”

This regulation affirms that as long as a work is created and expressed externally in a specific form such as a drawing, document, model, or design file, it falls within the scope of copyright protection, regardless of its monetary value.

Notably, the law also clearly identifies architectural works as one of the objects protected by copyright. Specifically, Point i, Clause 1, Article 14 of the Intellectual Property Law stipulates:

“Works protected by copyright include literary, artistic, and scientific works, including:

i) Architectural works.”

Thus, from a legal standpoint, a house design is not only a technical document for construction but also an object protected by copyright law. If the design fully meets the conditions of originality, is expressed in a concrete physical form, and does not fall under any legally excluded categories, then copyright for the house design is legally established and protected.

The recognition and protection of copyright for house designs is crucial in safeguarding intellectual property, limiting the unauthorized copying and use of architectural drawings, and providing a legal basis for resolving disputes arising in practice.

Are house designs protected by copyright?

Scope of copyright protection for house designs

When protected, house designs are legally protected in the following aspects:

The author’s moral rights

According to Article 19 of the 2022 Intellectual Property Law, the author has the following rights regarding the house design:

  • Naming the design
  • Using their real name or pseudonym on the work
  • Publishing or allowing others to publish the design
  • Protecting the integrity of the work, preventing others from modifying or altering it in a way that harms the author’s reputation

These rights are attached to the author and are non-transferable (except for the right to publish).

Property rights regarding house designs

According to Article 20 of the 2022 Intellectual Property Law, property rights regarding house designs include:

  • Copying the design
  • Distributing and displaying the design drawings
  • Using the design for construction projects
  • Permitting or denying others the right to exploit and use it

In practice, the investor is only allowed to use the design within the scope of the signed contract. Reusing it for other projects, or transferring it to a third party without permission, may be considered copyright infringement.

Is copyright registration mandatory for house designs?

According to Vietnamese law, copyright registration is not a mandatory condition for house design protection. Specifically, the Intellectual Property Law stipulates: “Copyright arises from the moment the work is created and expressed in a certain tangible form, regardless of registration.” Thus, from the moment a house design is completed in the form of drawings, design files, or architectural models, copyright automatically arises.

However, registering copyright for a house design offers many practical benefits:

  • Provides clear legal evidence in case of disputes
  • Makes it easier to prove ownership before state agencies and courts
  • Reduces the risk of unauthorized copying and use

Therefore, for house designs with high commercial value, used in many projects or for long-term exploitation, copyright registration is essential to maximize the protection of the author’s or copyright owner’s legitimate rights and interests.

The above is an article titled “Are House Designs Protected by Copyright?”. According to the law, if a design demonstrates creativity and is expressed in a concrete physical form, it is fully protected. Understanding and properly protecting copyright helps limit unauthorized copying and safeguard the legal value of the design.

Sincerely,

FAQ

1. Are house designs drawn by individuals protected by copyright?

Yes. As long as the design is directly created by an individual, is independent, and is not copied from others, it is protected by copyright, regardless of whether it is created by an individual or an organization.

2. Does the homeowner have full rights to use the house design after paying the design fee?

Not in all cases. The right to use the house design depends on the agreement in the design contract. If there is no agreement to transfer copyright, this right remains with the architect or design firm.

Does copyright arise from the date of registration?

Many people still believe that only when they possess a copyright registration certificate is their work legally protected. This misconception has caused many individuals and organizations to delay protecting their legitimate rights when disputes arise. So, according to the Intellectual Property Law, from what point in time does copyright arise? Is registration mandatory? This VCD will help you understand the true and complete legal nature of copyright.

Copyright

According to Clause 2, Article 4 of the 2022 Intellectual Property Law: “Copyright is the right of an organization or individual to a work created or owned by them.”

This regulation shows that the subject of copyright is not only the person who directly creates the work, but in many cases can also be an organization or individual to whom the right is legally transferred by agreement or by law. Copyright is established to protect the fruits of intellectual labor, fully recognizing the spiritual and material rights of authors and owners, while creating a legal framework to encourage creative activities, research, and the dissemination of knowledge in society.

According to Article 14 of the Intellectual Property Law, copyright is protected for literary, artistic, and scientific works, including but not limited to:

  • Written works: books, articles, textbooks, lectures, scripts
  • Musical, theatrical, and cinematic works
  • Fine art and architectural works
  • Technical drawings and maps
  • Computer programs and databases

It is important to note that the law does not protect ideas, but rather the specific form of expression of the work.

Copyright comprises two basic groups of rights:

  • Moral rights: naming the work, being credited as the author, publishing the work, protecting the integrity of the work.
  • Property rights: copying, distributing, communicating the work to the public, renting, creating derivative works, etc.

All of the above rights are protected by law from the moment copyright arises, thereby creating a solid legal basis for authors and copyright owners to protect their legitimate interests when disputes or copyright infringements occur.

Does copyright arise from the date of registration?

Does copyright arise from the date of registration?

Many individuals and organizations still believe that copyright only arises when a registration application is filed and a copyright certificate is issued. However, this understanding is inconsistent with current intellectual property law and easily leads to misunderstandings in protecting the legitimate rights of authors.

According to Clause 1, Article 6 of the 2022 Intellectual Property Law, it is stipulated that: “Copyright arises from the moment the work is created and expressed in a certain tangible form, regardless of content, quality, form, medium, language, whether published or not, registered or not registered.”

Thus, copyright does not arise from the date of registration. Copyright arises automatically as soon as the work is created and expressed in a specific tangible form.

Is copyright registration mandatory?

The Intellectual Property Law does not require authors or copyright owners to register their work in order to receive protection. This is entirely consistent with the Berne Convention on the Protection of Literary and Artistic Works, of which Vietnam is a member, according to the principle: “Copyright is protected regardless of any formal procedures.”

Although not mandatory, copyright registration is essential and encouraged in practice, especially when the work has economic value or is easily infringed upon.

According to Article 49 of the Intellectual Property Law, authors and copyright owners have the right to register their copyright with the Copyright Office and be granted a Certificate of Copyright Registration. This certificate has significant legal importance and serves as strong evidence to prove ownership.

According to Clause 3, Article 49 of the 2022 Intellectual Property Law: “The Certificate of Copyright Registration is the basis for determining copyright and related rights.”

In case of disputes, the holder of the Certificate is usually presumed to be the legitimate rights holder. The other party has the obligation to prove otherwise. Conversely, if not registered, the author still has rights but must independently gather evidence and prove the time of creation and the process of forming the work. This process is often difficult, time-consuming, and carries potential legal risks.

The above article, “Does Copyright Arise from the Date of Registration?“, aims to help readers understand the true legal nature of copyright under the Intellectual Property Law. Thus, copyright arises automatically as soon as a work is created and expressed in a tangible form, regardless of registration.

Sincerely,

FAQ

1. Does copyright protect the idea or the form of expression of a work?

The law only protects the specific form of expression of a work, not the idea. Only when the idea is expressed as a concrete work is it protected by copyright law.

2. What groups of rights does copyright include?

Copyright includes two basic groups of rights: moral rights and property rights. Moral rights are linked to the honor and reputation of the author, while property rights relate to the exploitation of the economic value of the work and are protected by law under the Intellectual Property Law.

Is it necessary to obtain permission to publish books for internal circulation?

Printing books and documents for internal use is a common practice among many agencies and businesses. However, not everyone understands whether permission is required for internal circulation, and whether there are penalties for not obtaining permission. This article will specifically analyze current legal regulations to help you avoid legal risks during the process of distributing internal documents.

What is an internal circulation book?

Currently, publishing law does not provide a specific definition of “internal circulation book.” However, in practice, an internal circulation book can be understood as a publication compiled and distributed within the internal scope of an agency, organization, or business, not intended for commercial purposes, not distributed to the market, and not serving the general public.

Some common examples:

  • Business manuals, internal training materials
  • Internal training materials of enterprises and organizations
  • Conference and seminar proceedings circulated within the unit
  • Research documents, technical guides for internal use

Because of their “not widely distributed” nature, many units believe that books for internal circulation do not require publishing permission. However, this view is not always correct.

Is it necessary to obtain permission to publish books for internal circulation?

Is publishing permission required for books for internal circulation?

This is a question that causes much confusion, as many agencies and businesses believe that internal distribution does not require publishing permission. However, this view is not entirely correct according to current publishing law regulations.

According to Clause 1, Article 2 of the 2012 Publishing Law, publishing is understood as: “The organization of editing, printing, and distributing works and documents to the public through a publishing house or licensed agency or organization.”

At the same time, Clause 2, Article 4 of the 2012 Publishing Law clearly stipulates: “Only publishing houses are allowed to carry out publishing activities.”

Thus, the law does not base its classification on the purpose of circulation (internal or commercial), but on the form and act of publishing, including: editing – printing – distribution.

Therefore, if a document takes the form of a book, is printed and distributed to many people, even if only internally, it is still considered a publication and falls within the scope of the Publishing Law.

According to Clause 4, Article 4 of the 2012 Publishing Law, publications include: “Printed books, e-books, paintings, photographs, maps, posters, leaflets, and other publications published through publishing houses.”

The law does not exclude publications “for internal circulation only” from the concept of publications. Therefore, internally circulated books are still books, and books are still publications. Publications must be legally licensed before publication. Limiting the readership (only staff, employees, members, etc.) does not change the legal nature of the publishing activity.

How to identify internally circulated books

In practice, internally circulated books must obtain publishing permission when they have one or more of the following characteristics:

  • Complete book title, author, and layout
  • Printed as a complete book, bound, with a clear cover
  • Printed in a specific quantity, not for temporary use
  • Distributed to multiple departments and subordinate units
  • Content is educational, research-oriented, or provides professional or legal guidance

In these cases, the compiling unit cannot independently print and distribute the books, but must collaborate with a publisher and follow the procedures for obtaining a publishing decision as prescribed. The note “Internal Circulation Document” on the book cover does not replace a publishing license.

Violations for publishing internal circulation books without permission

According to Decree 119/2020/ND-CP on administrative penalties in press and publishing activities, the act of printing and distributing publications without a publishing decision may be subject to:

  • Fines: Organizations and individuals who print or distribute internal circulation books without a publishing decision may be subject to administrative fines. The specific fine will depend on: the nature and extent of the violation; the number of books printed and distributed; and the consequences arising from the violation.
  • Forced recall and destruction of all books: This means that all previous costs of compilation, printing, and distribution will not be recognized; the books cannot be used further, even internally; the violating unit must bear all destruction costs.
  • Compulsory repayment of illegal revenue (if any): In cases where internally circulated books generate revenue, even if it is not considered official business activity (e.g., fees for materials, training fees, or supplementary sales of textbooks), the infringing organization may also be compelled to repay all illegal revenue obtained from the unauthorized printing and distribution of the books.

The above article, “Is it necessary to obtain permission to publish books for internal circulation?”, aims to clarify the legal regulations related to the printing and distribution of internal books. We hope that businesses and individuals will gain a correct understanding and choose appropriate options to ensure compliance with the law and safety during the use and distribution of internal documents.

Sincerely,

FAQ

1. In what cases does an internal book not require permission to publish?

Only temporary documents such as administrative documents, photocopied materials for meetings, short-term training, and those not printed as complete books, do not require permission to publish.

2. Are internal books protected by copyright?

Yes. Copyright arises automatically when a work is created and expressed in a physical form, regardless of whether the book is published publicly or only for internal circulation.

Are investigative journalism articles protected by copyright?

Investigative journalism is a type of work that requires a significant investment of time, effort, and professional expertise from journalists. However, in reality, many investigative articles are copied, republished, or exploited without permission after publication. Given this situation, the question arises: are investigative journalism articles protected by copyright law? This article from VCD will help you clarify this.

What is investigative journalism?

Investigative journalism is a highly valuable and in-depth journalistic genre that requires journalists to invest time, effort, and intellect seriously, independently, and creatively. Unlike purely news reporting that only quickly reflects events happening on the surface, investigative journalism aims to clarify the essence of the matter, uncovering hidden issues, those not yet published, or not fully understood in society.

  • Gathering information over a long period
  • Verifying and cross-referencing from multiple sources
  • Analyzing data, documents, testimonies, and evidence
  • Reflecting the nature of events, causes, consequences, and undisclosed issues

In terms of form and content, investigative journalism often has the following prominent characteristics:

  • Deep content with multiple layers of information, not simply a description of events
  • An approach to the issue that bears the personal imprint of the journalist or group of journalists
  • A tight structure, logical argumentation, creative language, clearly expressing the viewpoint and investigative methodology

These elements show that investigative journalism is not just about “reporting news,” but the result of intellectual creativity, fulfilling the nature of a work as defined by copyright law.

Are investigative journalism articles protected by copyright?

Are investigative journalism articles protected by copyright?

According to Clause 5, Article 1 of the 2022 Intellectual Property Law, journalistic works are defined as one of the types of works protected by copyright. More specifically, according to Point c, Clause 1, Article 14 of the Intellectual Property Law, a journalistic work is understood as a work with independent content, a complete structure, created for publication or broadcast on mass media. This regulation is further detailed in Article 9 of Decree No. 22/2018/ND-CP, according to which journalistic works include genres such as: reports, news reports, narratives, interviews, reflections, investigations, commentaries, editorials, essays, journalistic articles, and other journalistic genres published or broadcast on print newspapers, radio, television, online newspapers, or other media.

Thus, investigative journalism is classified as a journalistic work and is subject to copyright protection if it meets the conditions of originality and is presented in a specific form.

What is the scope of copyright protection for investigative journalism?

In practice, investigative journalism is often based on factual data, events, and statistics that have occurred or are currently occurring in society. However, according to intellectual property law, the information itself, the objective facts and events, are not subject to copyright protection. Instead, the law focuses on protecting the creative way in which the content is presented, that is, the result of the journalist’s independent intellectual work.

For investigative journalism, the scope of copyright protection is primarily determined by the creative elements that constitute the work, including:

  • The selection, arrangement, and processing of information
  • The methods of analysis, argumentation, and evaluation of the issue
  • The structure of the article, writing style, and language used
  • The journalist’s own perspective and viewpoint on the event

Conversely, according to Clause 2, Article 15 of the 2022 Intellectual Property Law, purely factual news reports are not subject to copyright protection. These are pieces of information that only reflect events concisely and objectively, without any analytical or creative elements in their presentation.

Therefore, distinguishing between investigative journalism and purely factual news reports is of particular importance in determining the scope of copyright protection. While purely news reports are not protected by copyright, the creative elements in investigative journalism are fully protected by law, aiming to safeguard intellectual property and encourage in-depth, responsible investigative journalism.

The above is an article titled “Is Investigative Journalism Protected by Copyright?”. Understanding and correctly applying copyright regulations not only helps journalists and media organizations protect their intellectual property but also contributes to building a professional journalistic environment that respects copyright and complies with the law.

Sincerely,

FAQ

1. Are current news articles protected by copyright like investigative reports?

Current news articles are not protected by copyright like investigative reports in newspapers. Purely factual news is not subject to copyright protection; this is a fundamental difference compared to investigative journalism.

2. Is copying investigative reports from newspapers without permission a violation of the law?

Yes. Copying, publishing, or exploiting investigative reports from newspapers without the consent of the copyright owner may be considered copyright infringement and will be prosecuted according to the law.