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Author: Editor VCD

Is using illustrations drawn by AI for commercial purposes protected by copyright?

AI or Artificial Intelligence is artificial intelligence, this technology specializes in simulating human thoughts and knowledge acquisition processes for machines, especially computers and application software. With the remarkable development of AI in the past few years, it can be seen that AI is gradually taking over, affecting every corner of human occupations in general, especially in related fields to design. Related to this issue, a recently discussed question is whether using illustrations drawn by AI for commercial purposes is protected by copyright.

1. General concepts of AI and copyright

AI is the simulation of intelligent human processes using machines, especially computer systems. Specific applications of AI include expert systems, natural language processing, speech recognition, and machine vision. In the book “Artificial Intelligence A Modern Approach”, the authors analyzed 4 characteristic elements of AI, which are: (i) Thinking humanly; (ii) Thinking rationally; (iii) Acting humanly; Acting rationally. AI systems work by ingesting large amounts of labeled training data and, through a process of deep learning, analyzing the data to find correlations and patterns. Use these patterns to make predictions about future states. Simply put, AI is a product created by humans, intended to support and answer human questions.

    Under Clause 2, Article 4 of the current Intellectual Property Law: “Copyright is the right of organizations and individuals to works they create or own.” Illustrations for commercial purposes are defined as works of applied art – one of the types protected by copyright according to Point g, Clause 1, Article 14 of the current Intellectual Property Law. According to Clause 8, Article 6 of the Intellectual Property Law: “A work of fine art applies to a work expressed by lines, colors, shapes, and layouts with useful features, which can be attached to a useful object. Useful, produced manually or industrially… Works of applied art are expressed in the form of artistic product designs that cannot be created easily by people with average knowledge in the field. respective area and does not include the external appearance of the product that is required to perform the product’s function.

    2. Conditions for works to be protected by copyright

    Since its recognition, the purpose of copyright has been to protect the author’s rights and interests toward his “brainchild”. In the spirit of the Bern Convention – the oldest international copyright convention, there is a list without limitation of “literary and artistic works” regardless of form and method of expression. Based on the Berne Convention, Vietnam also stipulates in Clause 7, Article 4 of the Vietnam Intellectual Property Law the concept of “work” as a “creative product in the fields of literature, art, and science expressed in by any means or form”.

    First of all, the work must be expressed in a certain form. The law recognizes that copyright is only established when the work is created and expressed in a certain material form such as audio recording, video recording, rewriting, reading, etc. Therefore, if a creative result is only an idea in the author’s mind and has not been expressed externally in a material form, it cannot be considered a work protected by copyright.

    Next is that the work must be the result of spiritual creative activity. To be protected by copyright, a work must be based on the process of thinking, learning, creating, and reflecting the thoughts and feelings of the creator. In other words, the work must be a creative product with the author’s content and spirit.

    And finally, the work must be original. This requires that the work be independently and directly created by the author without being copied from another subject. Originality does not require the work to have high content value or unique artistic quality, but it does require creating the author’s mark through the content or form of expression of the work.

    3. Related legal issues

    3.1. Are illustrations drawn by AI for commercial purposes protected by copyright?

    Commercial purpose is behavior intended to generate economic or other benefits. Today, AI can produce literary and artistic works that truly surprise and inspire us.

    A typical example is: On October 3, famous manhwa (Korean comic) artist Kim Jung Gi – who is known for his style of drawing comics with a brush and the ability to improvise from memory without needing to sketch – passed away at the age of 47. Painters and graphic artists around the world mourned and at the same time honored him as a great source of creative inspiration in the community. Just a few days later, a French game designer used Jung Gi’s works as input for an AI model. He quickly shared his entire project via Twitter account @5you, meaning anyone can use this AI to turn their ideas into works with drawings identical to Jung Gi in just a few clicks. click.

    According to the law on copyright protection conditions, a work must meet the requirements of creativity, or bear the mark of its author. First, to create a work, humans and AI both need material sources. Specifically: for humans, this source of material is the vocabulary, social culture, themes, chords in music, and human knowledge; As for AI, it is a data warehouse that technologists enter into information storage. Second, the work will need expression tools, such as language, sound, images, colors,… and is often associated with the materials that carry it, such as fabric, drawing paper, and sound discs. ; or sound waves, electromagnetic waves, etc. The difference is that humans are chosen to convey the work, while AI will be performed by computers. Third, the work will bear the personal imprint of the subject who created it. Personal impressions can be the author’s own emotions, thoughts, feelings, analysis, and opinions to make the work unique and original. With AI, based on the data warehouse, the programmer puts in parameters and algorithms and from there the AI can synthesize and produce the result as a work.

    Therefore, in essence, it can be seen that works created by AI are similar to works created by humans. Therefore, works created by humans or created by AI can meet the conditions for the protection of work. If we rely on published AI products, we see that these works also bring content and artistic value to humanity.

    3.2. In case an illustration drawn by AI for commercial purposes is protected by copyright, who is the copyright owner?

    Currently, there are still many opinions regarding the copyright owner of illustrations drawn by AI because currently, Vietnamese law has not yet regulated this issue. Therefore, currently, there are three different views as follows:

    • The first view is that AI is considered the owner for the following reasons:

    According to this perspective, with just a few mouse clicks, AI can automatically synthesize information from many different sources, and then create an illustration suitable for the user, rather than relying on intelligence or knowledge of user consciousness.

    Furthermore, according to Clause 1, Article 13 of the Consolidated Document of the Intellectual Property Law, it is stipulated: “Organizations and individuals whose works are protected by copyright include those who directly create the works…” Therefore, AI is considered the copyright owner of the works they create.

    • The second view is that AI is not the owner for the following reasons:

    First, the AI provides illustrations after the user places an order – it cannot proactively create the work.

    Next, between users and these platforms, a civil transaction is established (whether the user spends money or uses it for free) whereby the user is given ownership of the resources available on the system AI data system. Users here have the right to request AI to publish any work of the user. According to Clause 2, Article 39 of the Consolidation Document of the Intellectual Property Law: “Organizations and individuals that enter into contracts with authors who create works are the owners of the rights specified in Article 20 and Clause 3, Article 19 of this Law this law”. Therefore, people who use AI to create illustrations can be recognized as copyright owners.

    • The third view is that both the AI and the user are identified as co-owners of the copyright in the work created by the AI. If AI is considered the author who creates the illustration, then by being granted permission to use AI’s available functions, the user is the party that hired the AI to create the work. Here, AI will have moral rights, including the right to name the work, be the author’s name when the work is published, and protect the integrity of the work created by AI itself; and users have property rights such as the right to perform the work in public, copy the work, distribute and rent the work.

    Answering the question of copyright ownership of AI-generated content is not simple and needs to be considered carefully. Does creative content produced by machines need intellectual property laws and international conventions? Because AI does not have an independent personality and does not have the status of “author” as in the standards of copyright law. Designers, developers, and users of AI tools are the copyright owners of AI-generated content. However, the legal nature of AI works is currently unclear.

    Above is the article: “Is using illustrations drawn by AI for commercial purposes protected by copyright?”. Hope this article will help you.

    Is it possible to refuse to inherit the copyright?

    The Intellectual Property Law stipulates that the copyright owner is the heir. Therefore, can the heir deny his or her inheritance rights? Please read VCD’s article for more detailed information.

    1. Inheritance of copyright

    Copyright is the right of organizations and individuals to works they create or own. Copyright includes personal rights and property rights, some of which can be inherited according to the provisions of civil law.

      An individual’s assets can be objects, money, valuable papers, and property rights, with property rights included in copyright. Therefore, when the individual who owns the copyright dies and leaves his or her assets to his or her heirs, the copyright will naturally become an inheritance.

      Article 40 of the Intellectual Property Law has regulations on copyright owners being heirs, specifically:

      “Organizations and individuals that inherit copyright rights according to the provisions of the law on inheritance are the owners of the rights specified in Article 20 and Clause 3, Article 19 of this Law.”

      Accordingly, the person who inherits according to the will or law will become the owner of these inheritances. However, the heir does not inherit all copyright but is only the owner of the rights to publish the work and the property rights in the copyright.

      2. Refuse to inherit the work

      On that basis, Article 40 of the Intellectual Property Law stipulates that individuals can inherit copyright, but only certain rights. Regarding moral rights, individuals can only inherit the right to publish the work or allow others to publish the work. Other personal rights cannot be inherited because these rights are attached to each individual, usually name, reputation, honor, dignity… only that individual can exercise. As for property rights, they are fully inherited according to the provisions of law like the author or original copyright owner of the work, specifically the following rights:

      • Making derivative works;
      • Performing works in public;
      • Copying works;
      • Distributing or importing originals or copies of works;
      • Communicate works to the public by wire, wireless, electronic information networks, or any other technical means;
      • Rent originals or copies of cinematographic works and computer programs.

      Refusal to receive inheritance is carried out according to the provisions of the Civil Code 2015. Accordingly, the heir has the right to refuse to receive the inheritance. The refusal to receive the inheritance must be made in writing and must be expressed before the time of inheritance division specified in Article 620 of the Civil Code as follows.

      “1. The heir has the right to refuse to receive the inheritance, except in cases where the refusal is to avoid performing his or her property obligations to others.

      2. Refusal to accept the inheritance must be made in writing and sent to the estate manager, other heirs, and the person assigned to divide the estate for information.

      3. Refusal to accept the inheritance must be expressed before the time of division of the inheritance.”

      Meanwhile, individuals have the right to refuse to accept inheritance as copyright and must comply with the conditions prescribed by the Civil Code. In case the heir refuses to accept the inheritance and the work is still within the protection period, the work will belong to the State according to the provisions of Intellectual Property Law.

      Is scanning considered a form of copying works?

      Scanning is one of the popular ways that users scan hard-copy documents to save them as image files on computers and phones. From a legal perspective, are document scanning activities a form of copying works? Please read “Is scanning considered a form of copying works?” VCD’s article to learn more.

      1. Is scanning considered copying a work?

      Scanning is the process of converting data on paper, documents, and images on paper into data, images, and files stored on computers or phones through a scanner, printer with a scanning feature, or via an application. Use scanning on your smartphone.

      According to the provisions of Clauses 4 and 5, Article 3 of Decree No. 17/2023/ND-CP, originals and copies of works are defined as follows:

      “4. The original of a work is the copy that exists in material form on which the creation of the work was first shaped.

      5. A copy of a work is a direct or indirect copy of all or part of the work by any means or form.”

      At the same time, Clause 10, Article 4 of the Intellectual Property Law clearly states that copying is the creation of one or more copies of a work or audio or video recording by any means or form, including making copies in electronic form.

      From the above regulations, we can see that scanning is essentially creating a copy of the original work in electronic form, so this is the act of copying the work.

      2. Does scanning a work require permission from the author?

      The right to copy a work is one of the property rights that the author, copyright owner exclusively exercises or allows others to exercise as prescribed in Clause 1, Article 20 of the Intellectual Property Law.

      Every organization and individual, when exploiting and using one, some or all of personal rights and property rights, must ask for permission and pay royalties, remunerations, and other material benefits to the right owner or author. The act of copying a work without the permission of the author or copyright owner is a violation of copyright.

      However, some exceptional cases allow the copying of works without permission, payment of royalties, or remuneration to the author as stipulated in Points a and dd, Clause 1, Article 25 of the Intellectual Property Law, including:

      • Self-copy a copy for personal scientific research and teaching purposes;
      • Copy the work to store in the library for research purposes.

      Therefore, scanning is one of the forms of copying works, and depending on the purpose of copying, organizations, and individuals must ask for permission, pay royalties, and remuneration to the author or not need to. However, it is necessary to respect the author and copyright when copying works. When using, you must clearly state the author’s information and source from the original work.

      The quickest way to get copyright permission for YouTube music?

      YouTube is the world’s largest video-sharing platform founded in 2005. With billions of users around the world, this platform allows users to experience a variety of services from entertainment videos, short films, news… and music is one of the most popular services on the platform. However, musical works or songs are one of the protected subjects of the Intellectual Property Law, as well as protected by YouTube. Therefore, to avoid copyright infringement, the article below will highlight the fastest ways to apply for music copyright permission on the YouTube platform.

      1. What is copyright for musical works?

      Copyright for musical works is a form of copyright in general, specified in Clause 2, Article 4 of the Intellectual Property Law as follows: “Copyright is the right of organizations and individuals to the work.” According to the provisions of Clause 4, Article 6, Decree No. 17/2023/ND-CP guiding the Law on Intellectual Property, “4. Musical works specified in Point d, Clause 1, Article 14 of the Intellectual Property Law are works expressed in the form of notes in music or other musical characters regardless of whether they are performed or not”. Therefore, it can be understood that musical works do not necessarily have to be expressed in tangible form as notes and musical characters, but can also be expressed in sound form, and are not required to be performed to act.

      When a song is introduced to the public, that song is the creative result of the Musician (person who composes the musical work), the performer or presenter of the work (singer, musician,…), and Music Producers (audio recording, video recording of performances). Accordingly, Vietnamese intellectual property law protects copyright for organizations and individuals who create or own musical works and protects rights related to copyright for organizations and individuals who create or own musical works with performances, audio recordings, and video recordings.

      Copyright for musical works is the scope of rights of the copyright owner and the author of musical works recognized and protected by law, including rights already owned by law intellectual recognition. The legal relationship of copyright to musical works is an absolute civil legal relationship between the subjects of copyright to musical works and the remaining subjects in society who have obligations to respect the rights of rights bearers.

      2. Basis for arising copyright for musical works

      Copyright in musical works is based on a series of rules that protect the work and protect copyright. In most countries, copyright in a musical work arises automatically when the work is created and recorded in a particular medium.

      According to the provisions of the current Vietnamese Intellectual Property Law, copyright for musical works arises from the time the work is created; and is expressed in a certain material form; regardless of content or quality; form, means, language; published or not published; registered or not registered.

      The quickest way to get copyright permission for YouTube music?

      3. How to apply for music copyright permission on YouTube

      YouTube is a large platform with very strict music copyright regulations to protect the rights and interests of creators, authors, or copyright owners. The proof is that YouTube provides three different ways to protect authors: Forms, Copyright Match Tool, and Content ID.

      Obtaining music copyright permission is important to comply with copyright laws and avoid legal consequences on YouTube. Always refer to the license document and agreement before using music, and comply with the terms specified. Therefore, to apply for music copyright permission to use on YouTube, several ways can be applied as follows:

      • Contact the copyright owner directly: The most common way is to find out who owns the music copyright and contact them directly. You can email or find contact information on their website, or via social media if they have a presence there. Clearly describe your purpose and how you want to use the music.
      • Use music copyright management services (Music Licensing Services): There are music copyright management services such as SoundExchange, BMI, ASCAP, and SOCAN (depending on the country) that you can contact for permission and collect track usage fees. They can help you find out who owns and manages the usage rights.
      • Use free or licensed music: Several free music sources on YouTube or websites specialize in providing free music with clear usage licenses. Note that you must comply with the license terms when using this music.
      • Find music that uses a Creative Commons license: If you want to find music to use without having to pay a fee or get a separate license, you can search for music that has a Creative Commons license on sites like Creative Commons Music or Free Music Archive. However, you must still comply with the terms of the license.
      • Use YouTube music library: YouTube offers a free music library to video creators on their platform. You can use music from this library in your videos without worrying about asking for separate permission.

      Above is the article: “The quickest way to get copyright permission for YouTube music?”. Hope this article will help you.

      Copyright protection for program script

      To create a complete program, full of content, operating according to each specific plan, and suitable to the audience’s tastes, the program must have a good and complete script. Therefore, to ensure that the effort and money spent on creating the script is not copied, copyright protection of the program script is essential. We invite you to follow VCD’s article below to learn about program script copyright protection.

      1. What is the program script?

      A program script can be understood as a detailed description of the content and process of a television program, radio program, or live event. It defines the main parts of the program, including the introduction, goals, content, conversation script between the host and guests, and different parts to build harmony and flow, of the program.

      The show script provides a guide for the host and film/television crew members on how to professionally express, interact, and execute the show, ensuring that the show runs smoothly. shared and planned.

      At the same time, help ensure that everyone involved in the program has a clear guide to expression, content, and workflow. This is also a useful tool to organize and control program time effectively.

      2. Copyright protection of the program script

      Program script copyright protection is a method and measure used by competent state agencies to create a legal corridor to protect the legitimate rights and interests of program script copyright owners. process as well as related entities, against any infringement.

      In Clause 1, Article 14 of the Intellectual Property Law, there are regulations on types of works protected by copyright as follows:

      “1. Protected literary, artistic, and scientific works include:

      a) Literary and scientific works, textbooks, course books, and other works expressed in writing or other characters;”

      Therefore, according to the above regulations, the program script is in the form of literary, scientific works, textbooks, textbooks, and other works expressed in the form of writing or other characters. Therefore, the subjects with protected rights are organizations and individuals, including the person directly creating the program script and the owner of the program script rights prescribed by law.

      Regarding the subject of protection, the program script must meet several conditions such as:

      • The work is directly created by the author and not by copying, stealing, modifying, getting ideas… from other people’s works;
      • The program script is announced for the first time in Vietnam but has not been published in any other country or is announced simultaneously in Vietnam within thirty days from the date the program script is announced. first time in another country.

      The Intellectual Property Law is similar to the provisions found in bilateral and multilateral international treaties. It governs the ownership and rights of the creators of intellectual property, including patents, trademarks, and copyrights also stipulates that program script copyright is automatically recognized and protected after the script is formed in a physical form. certain. Registering program script rights as prescribed in Article 49 of the Intellectual Property Law is not mandatory to enjoy protection rights.

      However, having a Copyright Registration Certificate for the program script copyright is meaningful when a dispute arises because the organization or individual has a Copyright Registration Certificate for the script copyright. The program will have no obligation to prove that copyright belongs to it unless there is evidence to the contrary.

      Therefore, to be eligible for legal protection, the program script must meet the above object conditions and must be shaped on a certain material, only then will the program script be protected under the law provisions of Vietnam Intellectual Property Law.

      Are translations of journalism from other languages protected by copyright?

      At press agencies, translation is a significant job to convey public information from foreign languages into Vietnamese. So, can translated journalistic works be registered for copyright protection? Please read VCD’s article “Are translations of journalism from other languages protected by copyright?” to learn more.

      1. What is a translated journalistic work?

      According to common understanding, translation is the conversion of vocabulary, sentences, text… from one language to another. To put it more academically, translation is the process of converting from a written or spoken source language into a corresponding written or spoken target language. It can be said that translated journalistic work is translating a journalistic work from one language to another with corresponding content.

      Each journalistic work has a different context and culture, requiring the translator to have in-depth expertise and knowledge of the language as well as general knowledge of journalism, especially the characteristics of journalistic language and journalistic style. The flexibility and acumen of the translator will help information reach the public accurately, specifically, and effectively.

      The main purpose of the translation process is to bridge different languages. Therefore, translating journalistic works from other languages into Vietnamese can reach a larger audience and bring different cultures around the world closer together.

      2. Can journalistic works translated from foreign languages be copyrighted?

      A journalistic work translated from a foreign language is a version translated into another language based on the original language of that text. Accordingly, journalistic works translated from foreign languages are considered a type of derivative work.

      According to Clause 8, Article 4 of the Intellectual Property Law stipulates: “8. Derivative works are works translated from one language to another, works of adaptation, adaptation, adaptation, compilation, annotation, and selection.

      In addition, Clause 2, Article 14 of the Intellectual Property Law stipulates: “2. Derivative works are only protected according to the provisions of Clause 1 of this Article if they do not prejudice the copyright of the work used to make derivative works.

      Translated journalistic works are protected by copyright when they meet the following four conditions:

      • Does not harm the copyright of the original work: According to Clause 2, Article 14 of the Intellectual Property Law 2005, derivative works are only protected if they do not prejudice the copyright of the work used to make derivative works. Works used to make derivative works include literary, artistic, and scientific works specified in Clause 1, Article 14 of the Intellectual Property Law.
      • Must be directly created by the author of the derivative work: Clause 3, Article 14 of the Intellectual Property Law stipulates that protected derivative works must be directly created by the author using his or her intellectual labor without any damage. Copy from other people’s work.
      • With permission from the author, the copyright owner of the original work: Article 28 of the Intellectual Property Law stipulates that derivative works must have the permission of the author, the copyright owner of the original work. In the absence of the author’s consent, the copyright owner will be considered an act of copyright infringement (Unless the derivative work falls into the cases in Article 25 and Article 26 of the Intellectual Property Law).
      • Must have the unique stamp of the author of the derivative work: Derivative works are works created based on the original work. Therefore, for a derivative work to be protected, it must be creative, new, and bear the stamp of the author who created the derivative work.

      Therefore, if a journalistic work translated from a foreign language wants to be protected by copyright, it must not harm the personal and property rights of the original text.

      Above is the article “Are translations of journalism from other languages protected by copyright?“. We hope this article is useful to you.

      Does copyright protect administrative documents?

      Every day, we come into contact with many documents such as decisions of state agencies such as decisions to raise wages, decisions to handle labor laws, meeting notices, meeting invitations… Based on the content and form of those documents, we can classify them as administrative documents. Therefore, to find out whether administrative documents are one of the types protected by copyright, please read “Does copyright protect administrative documents?” VCD’s article.

      1. What are administrative documents?

      Legal documents are issued by competent entities according to the order, procedures, and forms prescribed by law, have the content of the will of the state, and are mandatory and guaranteed by law. state power. Legal documents include three groups of documents: legal documents, legal application documents, and administrative documents. Each group in the legal documents system also has some specific features in terms of content, nature, and role in state management.

      Administrative documents can be of many types, usually divided into the following categories:

      • Documents are often used to convey certain contents and requests from superiors to the bottom or express individual or collective opinions and aspirations to agencies and people with resolution authority.
      • The document carries information about State regulations, concretizes the implementation of legal documents, and resolves specific cases in the management stage.
      • Documents containing state administrative regulations. Administrative documents have many different roles, which can be to notify or convey information from one organization, individual, or state agency to one or more other organizations or individuals.
      • Administrative documents can also be used to concretize legal documents and solve specific tasks in the process of managing and operating an agency or organization.

      2. Are administrative documents protected by copyright?

      According to Article 15 of the Intellectual Property Law, administrative documents are one of the subjects that are not protected by copyright, specifically:

      “Article 15. Subjects not covered by copyright protection

      1. Pure news reporting.

      2. Legal documents, administrative documents, other documents in the judicial field, and official translations of those documents.

      3. Processes, systems, operating methods, concepts, principles, data.”

      Each subject in this group will be specified in relevant documents for easy application. One of them is administrative documents detailed in Clause 2, Article 8 of Decree 17/2023/ND-CP. Accordingly, this administrative document includes documents of state agencies, political organizations, socio-political organizations, socio-political-professional organizations, social organizations, social organizations – occupations, and units of the people’s armed forces.

      This can be understood because administrative documents contain general rules of conduct, are mandatory, and are applied in powerful organizations and some subjects that violate administrative law… Therefore, administrative documents will not be subject to copyright protection.

      This is the article “Does copyright protect administrative documents?”. We hope this article is useful to you.

      Rights of performers as stipulated in the Law on Intellectual Property of Vietnam

      Transmitting and bringing works to the public can be done in many ways, but the most common is through performers. The subject performing the works is a subject whose rights are concerned and protected by intellectual property law. Therefore, who are the performers and what rights do they have? Please read VCD’s article for more details.

      1. Who is the performer?

      Who is considered a performer is clearly defined in Article 3a of the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations (Rome Convention): “Performers are actors, singers, musicians, dancers, and others who act, sing, read, recite, present, or otherwise perform literary, and artistic works”.

        Based on the concept of performers of the Rome Convention, Article 16 of Vietnam’s Intellectual Property Law lists organizations and individuals whose related rights are protected under Vietnamese law, which directly regulates performers. performances include: “Actors, singers, musicians, dancers, and others presenting literary and artistic works”.

        2. Performers’ rights

        When the legal conditions are met, performers enjoy rights to their performances. According to the provisions of the Intellectual Property Law, the rights of performers include moral rights and property rights.

        Moral rights are rights of performers that cannot be transferred and are protected indefinitely. According to the provisions of Clause 2, Article 29 of the Intellectual Property Law, moral rights include the following rights:

        • To be introduced by name when performing, when releasing audio or video recordings, or broadcasting the performance;
        • Protect the integrity of the performance image, and do not allow others to edit, mutilate, or distort in any form that harms the performer’s honor and reputation.

        If the performer is also the investor, he/she also enjoys property rights including the exclusive right to exercise or allow others to exercise the rights specified in Clause 3, Article 29 such as:

        • Shape your live performance on audio and video recordings;
        • Directly or indirectly copy your performance that has been fixed on audio or video recordings;
        • Broadcast or otherwise transmit to the public your performance not in a format that is accessible to the public, except where the performance is intended for broadcast;
        • Distribute to the public originals and copies of your performances through sale, rental, or distribution by any technical means accessible to the public.

        At the same time, Decree 17/2023/ND-CP stipulates in Article 19 on Performers’ Rights as follows:

        “1. The right to directly copy a performance that has been fixed on an audio or video recording according to the provisions of Point b, Clause 3, Article 29 of the Intellectual Property Law is the right of the owner of the right to the actual exclusive performance. make or allow others to make other copies from that audio or video recording.

        2. The right to indirectly copy a performance that has been fixed on an audio or video recording according to the provisions of Point b, Clause 3, Article 29 of the Intellectual Property Law is the right of the owner of the rights to the exclusive performance. The right to make or allow others to make other copies not from such audio or video recordings such as copying from broadcast programs, electronic information networks, telecommunications networks, the Internet, and other similar forms.

        3. The right to communicate to the public an unformed performance according to the provisions of Point c, Clause 3, Article 29 of the Intellectual Property Law is the right of the owner of the right to the performance to exclusively perform or authorize another carries out the dissemination of the unformed performance to the public by any technical means other than broadcasting.”

        The performer through the exercise or permitting the exercise or transfer of property rights to obtain economic benefits. The law stipulates that organizations and individuals who want to exploit these rights must ask for permission and pay remuneration to the right owner, which is completely reasonable.

        Above is the article “Rights of performers as stipulated in the Law on Intellectual Property of Vietnam”. We hope this article is useful to you.

        Searching for musical works

        Currently, one of the forms that is most prone to disputes and violations is musical works. Therefore, looking up a song’s copyright is one of the important steps to evaluate the protection ability of the work as well as help the author or owner grasp the necessary information related to the work and help determine whether any individual or organization has submitted registration documents for similar products. However, not all authors or owners know how to look up Searching for musical works. Therefore, the article below will focus on instructions on how to look up music copyrights for authors and owners.

        1. What is song copyright?

        Copyright for musical works is a form of copyright in general, specified in Clause 2, Article 4 of the Intellectual Property Law: “Copyright is the right of organizations and individuals to the work created or owned by me”. Copyright arises from the moment the work is created; and is expressed in a certain material form; regardless of content or quality; form, means, language; published or not published; registered or not registered. Copyright includes moral rights specified in Article 19 and property rights specified in Article 20 of the Intellectual Property Law.

        According to the provisions of Clause 4, Article 6, Decree No. 17/2023/ND-CP guiding the Law on Intellectual Property, “4. Musical works specified in Point d, Clause 1, Article 14 of the Intellectual Property Law are works expressed in the form of notes in music or other musical characters regardless of whether they are performed or not”. Therefore, it can be understood that musical works do not necessarily have to be expressed in tangible form as notes and musical characters, but can also be expressed in sound form, and are not required to be performed. to act.

        Meanwhile, copyright for musical works or songs copyrights are the rights of organizations and individuals to the musical works they compose or own, including moral rights and property rights to the musical works they create or own. that musical work.

        2. Why should you look up music copyright first?

        Looking up music copyrights is an important part of the process of creating, producing, and releasing music, and it has the following important benefits:

        The first is to protect intellectual property rights: Copyright search helps protect the intellectual property rights of composers and those involved in music production. This means preventing others from copying, publishing, or using your music without permission or payment.

        Secondly, searching for music copyright is beneficial in commercializing music: Once you have searched and have enough copyright information, you can decide how want to exploit and utilize your music. to earn money. This includes selling copyrights, signing contracts with producers, or engaging in other commercial transactions related to music.

        Thirdly, looking up music copyrights ensures reasonable income: Looking up music copyrights helps track and ensure you receive the royalties you are entitled to. This includes fees for using your music in media, copy, live performance, and other forms.

        Fourthly, look up music copyright to avoid legal trouble: If you do not look up copyright or violate someone else’s copyright, users may face legal problems and lawsuits. Copyright searches help users, authors, and owners avoid these problems and maintain positive relationships with others in the music industry.

        Searching for musical works

        Fifthly, looking up music copyrights creates trust and respect: the author or owner will be considered a professional and trustworthy artist when following music copyright rules and regulations. This can help the song’s author or copyright owner build good relationships with partners, publishers, and other industry stakeholders.

        In short, looking up music copyrights is an important part of protecting the intellectual property rights of the author or copyright owner of a work, optimizing your music income, and maintaining your music. Maintain professionalism in the music industry.

        3. How to look up music copyright

        Music copyright lookup is the process of checking whether a piece of music is copyrighted or not, and if so, who owns it. Here are some ways to look up music copyright:

        The first is authorization from a copyright management organization: If the author is the creator, he or she can authorize a copyright management organization such as ASCAP, BMI, SESAC (in the United States), or other organizations similar in other countries. This organization will help you track, register, and manage your music copyrights.

        The second is to use online databases: Many free and paid online databases help authors or copyright owners look up information about music copyright. For example, you can use BMI Repertoire, ASCAP ACE Database, SESAC’s Repertory, or online services like SoundExchange to find information about music copyright.

        Third is contacting the copyright management agency: In some cases, the author or copyright owner can directly contact the copyright management agency in the country to look up information about the music rights. For example, in the United States, you can contact the US Copyright Office to look up; In Vietnam, you can contact the Copyright Office.

        Fourth is to use a professional service: If the author or copyright owner has difficulty searching for music copyright or needs professional assistance, they can hire a lawyer or professional service in the field of music copyright to help look up and manage copyright.

        Note that the process and information regarding music copyright may vary depending on the country and copyright system. Consulting with an attorney or expert in the field of music copyright can help the author or copyright owner better understand the music copyright search process and ensure proper compliance with the rules and regulations determined.

        Above is the article “Searching for musical works”. Hope this article will help you

        How can work be copied without violating copyright?

        Copying a work without the permission of the author or copyright owner is considered an act of copyright infringement. Accordingly, what is copying, and in what cases is How can work be copied without violating copyright?

        1. What is copying?

        According to the provisions of Clause 10, Article 4 of the Intellectual Property Law, Copying is the creation of one or more copies of a work or audio or video recording by any means or form, including creating copies in electronic form.

        For unpublished works, the copyright owner has the exclusive right to make or allow others to make copies of the work. In this case, only the copyright owner or a person authorized by the copyright owner may copy the work.

        For published works, other organizations and individuals who want to copy them must ask permission and pay royalties, remunerations, and other material benefits to the copyright owner.

        2. In case of copying a work, it does not violate copyright

        Although copying works is one of the property rights, when exploiting and using, organizations and individuals must ask for permission and pay royalties, remunerations, and other material benefits to the copyright owner. fake.

        However, the law still stipulates several exceptions in Article 25 of the Intellectual Property Law for copying published works without permission, without having to pay royalties or remuneration, including:

        • Copy a copy yourself for personal scientific research and teaching purposes.
        • Copy the work to store in the library for research purposes

        In addition, Article 25 of Decree 17/2023/ND-CP also guides the reasonable copying of a work using copying equipment as follows:

        “Article 25. Reasonable copying of part of the work using copying equipment

        1. Reasonably copy part of the work using copying equipment for scientific research, personal study, and not for commercial purposes specified in Points b and e, Clause 1, Article 25 of the Intellectual Property Law Intellectual property is the act of reasonably copying no more than one copy of a portion of a work.

        2. Copying equipment specified in Points a, b, and e, Clause 1, Article 25 of the Intellectual Property Law is equipment with a copying function with all or part of related components automated based on with or without payment for service by anyone not affiliated with the entity that owns, possesses, or commercially exploits the equipment.

        3. For works expressed in written form, reasonable copying specified in Clause 1 of this Article is copying by photocopying, photography, or other similar methods with a maximum of not more than 10% total number of pages or total storage units (bytes), total number of words of the edition, length of the edition’s content for works provided as electronic editions without page division.

        Reasonable acts of copying using copying equipment specified in this Clause must be independent acts of each organization or individual performing them, and if there is repetition, it is individual cases that are not related to each other. on the same work.

        4. Organizations and individuals that copy works expressed in written form with a percentage greater than the level specified in Clause 3 of this Article must obtain permission from the copyright owner and pay royalties. , other material benefits (if any) to the copyright owner.”

        Copying a work without the permission of the author, or copyright owner or not falling into the above cases is an act of copyright infringement as prescribed in Clause 6, Article 28 of the Intellectual Property Law.

        Above is the article How can work be copied without violating copyright?“. We hope this article is useful to you.